自然语言、语音和声音将是不断变化的用户界面的基础，我们必须进行投资。
Natural language, speech, and voice are going to be fundamental to the changing UI, and we have to invest.
现在把我们的注意力放到低声部上，尽量唱出低声部，如果在唱的过程中我们觉得自己的声音没有变化，那和声就很有可能没有改变。
So we'll focus on the bass and we'll try to sing the bass, and if we find that in singing the bass our voice is not changing, probably the harmony hasn't changed.
根据其他系统元素修改音量级别会是添加信息的直观方法，而无需添加通知或和声变化。
Modifying the volume level according to other system factors could be an intuitive way to add information without adding notes or harmonial changes.
但当第二个人与第一个人产生肌肤接触时，该装置就会产生许多变化的光和声音。
But if a second visitor touches the first, the installation produces an array of changing lights and sounds.
一是判断和声是否发生了变化，二是如果发生了变化，和声的变化频率是规则还是不规则的。
We want to figure out if the harmony is changing, and if it is changing whether it's changing at a regular or irregular rate.
如果变化频率规则，那么和声中每个和弦持续的时间长度是完全相同的，每个和弦都持续同样长的时间。
By regular rate we mean that the amount of time that each chord holds is exactly the same; every chord holds for the same length of time.
这可以证明足以检测在最大负荷状态下和声中的变化的那些音频通知是表示有问题的。
This may prove problematic to those musically inclined enough to detect a change in harmony at maximum utilization.
所以说这里的和声变化率是怎样的？
色彩和声音在电影中的运用给演员和设计师带来了同样巨大的变化。
Colour and sound led to huge changes for actors and designers alike.
这套系统可以分析采集的视频和音频资料，进而分辨出不同的姿态(例如头部特定的活动)和声音(例如语调的变化)。
It is able to analyse video and audio recordings in order to recognise gestures of both posture (moving the head in particular ways, for example) and voice (such as changes in pitch).
这套系统可以对视频和声频记录进行分析以识别人类的姿体语言(比如以特定的方式我摇头)和语音语调(比如音调的高低变化)。
It can analyse video and audio recordings in order to recognise gestures of both posture (moving the head in particular ways, for example) and voice (such as changes in pitch).
流行音乐中也存在着多种多样的和声手法，我们从常用变化和弦的运用方面作一些简单的归纳。
There are also variety of harmony methods in popular music. We come to some simple concludes on the application of changing chord which is usually used.
对其低温的声学和比热容性质进行了研究，得到了样品模量和声衰减以及随温度变化的规律。
The acoustical properties and specific heat of sample at low temperatures were studied, and the temperature dependences of modulus, sound attenuation and specific heat were obtained.
作品通过音色、触键、和声、踏板的变化来表现出更加丰富的层次与音色的变化和对比。
Furthermore, by using tone color, key-touching, harmonic as well as pedal, the author tries to represent rich variations of this music.
这部交响乐在和声、节奏、节拍、速度、力度、音区和乐器色彩上有所变化。
The symphony is subjected to variation in harmony, rhythm, meter, and tempo dynamics, register, and instrumental color.
这部交响乐在和声、节奏、节拍、速度、力度、音区和乐器色彩上有所变化。
The symphony is subjected to variation in harmony, rhythm, meter, and tempo, dynamics, register and instrumental color.
通过对水声信号的时间结构和声脉冲幅度变化规律的测定，着重研究了热声理论。
Thermoacoustic theory has been studied particularly by exploring the time structure of acoustic signals and the law of acoustic pulse amplitude variation.
而人们对和声中的不协和问题总是有着各种各样的理解，随着人们对多声部音乐的不断探索，不协和的尺度也在不断的变化着。
And people always have various of the comprehension of discord, Along with people continuously investigate into the several-department music and the dimension of discord is also continuously changing.
最后本文总结了不同声参数下的空化泡半径变化规律和声空化优化的规律。
Finally, this article summarizes the law of acoustic cavitation bubble radius changes under the different parameters of sound and how to optimize acoustic cavitation.
采用线性组合算符和幺正变换方法研究量子点中强耦合束缚磁极化子性质的温度依赖性，导出了强耦合束缚磁极化子的振动频率、基态能量和声子平均数随温度的变化关系。
The relations of the vibrational frequency, the ground state energy, and the mean number of phonons of the strong-coupling bound magnetopolaron in a quantum dot with the temperature are derived.
作品通过音色、触键、和声、踏板的变化来表现出更加丰富的层次与音色的变化和对比。
The changes of tone in the emotion of singing are significant to represent the composers intention.
和声精巧、变化丰富，曲调变化之中频繁而适时的对位使得结构自然而有趣。
The texture is naturally of interest too, with the melody shifted from top to bottom, to middle, and frequent contrapuntal (two separate melody lines combined) bits added.
和声精巧、变化丰富，曲调变化之中频繁而适时的对位使得结构自然而有趣。
The texture is naturally of interest too, with the melody shifted from top to bottom, to middle, and frequent contrapuntal (two separate melody lines combined) bits added.
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