合理运用播音发声技巧可优化普通话发音，同样也可优化美语发音。
The proper application of broadcasting phonation techniques can optimize the English as well as mandarin pronunciation.
如果只重技术而忽视艺术表现，发声技巧就成了没有灵魂的空架子。
If one only think much of skill yet ignore artistic expression, the vocal skill will be for nothing.
完美、动听的声乐歌唱表现，离不开歌唱者深厚、扎实的发声技巧基本功为前提。
Perfect, beautiful singing vocal performance, singer can not do without a strong, solid vocal skills basic skills as a precondition.
音色是彰显演唱者水平高低的最主要因素，学习正确的发声技巧是获取纯美音色的关键。
Tone color, is one of the most important factors to demonstrate the singing standard, so learning proper skill of sound-pronunciation is the crux of acquiring pure and beautiful tone color.
要想唱好一首歌，必须掌握发声技巧、正确理解分析作品的内在思想，在反复练习过程中不断提高。
To sing well, a singer must continuous-ly perfect the skills of sound production, understand and analyse the inner thoughts of songs correctly so that he can improve in repeating practice.
从声乐艺术范畴讲，歌唱发声技巧中，对发声、呼吸、共鸣、吐字等基本功的训练和掌握，绝非一日可成。
From the vocal arts speaking, singing and vocal technique, the right sound, breathing, resonance, articulation and other basic skills training and master, not day to become.
在发声演唱上要求高难度的呼吸、节奏和音准、花唱以及朗诵式演唱等技巧。
It also needs highly difficult singing skills of breath, rhythm, intonation, melisma and parlando singing.
宝宝想要学习这些语言技巧就必须听真人发声。
Babies have to hear real language from real people to learn these skills.
在发声演唱上要求高难度的呼吸、节奏和音准、花唱以及朗诵式演唱等技巧；
It also needs highly difficult singing skills of breathe, rhythm, intonation, melisma and parlando singing.
第二章，呼麦演唱的发声原理与演唱技巧。
Charpter two, Humai's vocalizational theories and singing skills.
声乐教学接触的学科和领域比较广泛，涉及声乐发声的技巧训练、音乐风格及艺术表现，还有教育学、心理学、解剖学、音响学等。
In the other hand, technique training of sound production, music styles, artistic expression, pedagogic, psychology, anatomy and acoustics in vocal music education are all involved.
对解决气息、声区、发声共鸣中的主要技术难点，克服技巧运用的“片面性”与“绝对性”，实现歌唱器官在运动中的平衡等具有重要的作用。
The paper is significant for solving such skill problems as breath, vocal zone and vocal resonance, overcoming one-sidedness and absoluteness when using these skills.
对解决气息、声区、发声共鸣中的主要技术难点，克服技巧运用的“片面性”与“绝对性”，实现歌唱器官在运动中的平衡等具有重要的作用。
The paper is significant for solving such skill problems as breath, vocal zone and vocal resonance, overcoming one-sidedness and absoluteness when using these skills.
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