长期以来，评论界对海明威的反战小说《永别了，武器》中的女主人公凯瑟琳·巴克利的形象争议颇多。
For a long time, the critical circles have always had a dispute about the image of Catherine, the heroine in Hemingway's anti-war novel "a Farewell to Arms".
20世纪二三十年代之交形成潮流的现代反战小说，主要呈现两种形态：一是极力渲染战争残酷性的悲剧形态；
The contemporary anti-war novels which were popular in the 1920s and 30s, mainly come in two forms: tragedies about the bloodiness of wars and comedies;
反战电影《新西线无战事》（1930）是基于埃里希·马里亚·雷马克写的小说改编。
The anti-war drama All Quiet on the Western Front (1930) was based on the novel by Erich Maria Remarque .
在人物刻画方面，冯内古特没有把任何小说人物描述为反战英雄。
Vonnegut does not portray any character in the novel as a real hero.
之前许多评论强调该书的反战主题，但在重读这一越战小说经典时不难看出，该小说所揭示的霸权意识和文化渗透，以及将西部概念扩大到亚洲乃至全球的策略同样值得人们深思。
While he protests against the Vietnam War he reveals the hegemonic discourse in cultural conflicts and new cowboy concepts in expanding the West to Asia and even the whole world.
之前许多评论强调该书的反战主题，但在重读这一越战小说经典时不难看出，该小说所揭示的霸权意识和文化渗透，以及将西部概念扩大到亚洲乃至全球的策略同样值得人们深思。
While he protests against the Vietnam War he reveals the hegemonic discourse in cultural conflicts and new cowboy concepts in expanding the West to Asia and even the whole world.
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