• 凯瑟小说存在两种类型双重叙事

    There are two kinds of dual narration in Cather's fiction.

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  • 《日用家当作者母亲双重叙事话语读者均有误导。

    The narrative discourses of both the author and the mother in Everyday Use may misguide the reader.

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  • 第三重点阐述凯瑟小说中的双重叙事视角小说叙事艺术所产生开拓性意义

    The third chapter expounds the pioneering significance of the dual narration to the narration art in Cather's fiction.

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  • 远大前程》采用双重叙事视角多种不同的人物话语形式有助于实现现实主义,使小说更真实。

    Dickens, the author of the book, exhibits superb skills in narratology and stylistics, especially the use of dual narrative point of view and different modes of speech presentation.

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  • 章分部分分别史诗性戏剧性两个方面分析凯瑟小说双重叙事视角对小说叙事艺术的拓新。

    The two sections of this chapter analyze the innovation of the dual narration to the development of the art of fiction narration from the epic and dramatic aspects.

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  • 域外小说以及中国传统小说叙事模式双重影响叙事模式进行了自觉运用改造

    Under the double influence of foreign novels and classical Chinese novels, it made conscious use and reform of this pattern.

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  • 一旦史家写作加上脚注,历史叙事就述说一个现代才有的双重故事

    Once the historian writes with footnotes, historical narrative tells a distinctively modern, double story.

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  • 第四进行结构分析。探讨小说的第一人称叙事手法双重情节

    Chapter Four turns to structural analysis of the novel, noting its first-person narrative and dual plots.

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  • 薛素姐个性双重价值悖论表明,《醒世姻缘传》对明清叙事文学的个性解放主题具有独到而值得肯定的价值意义

    The paradox of the dual value in her personality shows that Marriage Rocking the World is of unique meaning to the theme of liberation of the self in the narrative literature at that time.

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  • 文章指出这种哀婉叙事对于传统继承,而女主人公的悲剧在于古典美错位对于人生的双重失落。

    At last, the article reveals that the style of novel carried on the traditional narration which was of the formal poignantly sensual style, and the tragedy of w…

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  • 本文叙事角度分析加拿大当代作家琼·克拉克成长小说《雕刻梦幻的人》 ,解析了其中双重身份构建过程和意义。

    In the light of narrative theories, this paper discusses the double identity construction in Canadian writer Joan Clarks The Dream Carvers.

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  • 本文叙事角度分析加拿大当代作家琼·克拉克成长小说《雕刻梦幻的人》 ,解析了其中双重身份构建过程和意义。

    In the light of narrative theories, this paper discusses the double identity construction in Canadian writer Joan Clarks The Dream Carvers.

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