克里斯腾森还认真观察杰克·洛伊德扮演童年阿纳金的表演，寻找在一颗完全纯洁的心灵及一个注定走向黑暗面的角色之间构架起桥梁的方法。
Christensen also carefully eyed Jake Lloyd's performance as the boy Anakin, looking for ways to bridge a character pure in heart to one destined for darkness.
主要分析了角色形象性格设定、演员表演的卡通化倾向及明星的卡通符号效应。
Chapter 3 analyzes the cartoonlized tendency of the main role disposition, the actor performance and the signified pop stars.
影视动画表演的一般技巧即为角色的基本动作，主要包括面部表情及形体动作。
The general skill is the basic motion of roles, mainly including facial expressions and body movements.
“角色原则”要求主持人必须明确自己在节目中的地位和作用，从“自我定位”、“非我表演”及“角色转换”三个方面明确“你是谁”。
This principle requires the Anchor to understand his status and function in the program from three aspects: "self-orientation", "nonego performance" and "roles conversion".
通过《X战警：天启》的剧本及奥斯卡•伊萨克的表演，我们就能充分理解“天启”这个反派角色。
Through the script and through Oscar Isaac's performance, we get that in Apocalypse.
通过《X战警：天启》的剧本及奥斯卡•伊萨克的表演，我们就能充分理解“天启”这个反派角色。
Through the script and through Oscar Isaac's performance, we get that in Apocalypse.
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