莫奈说过:“色彩的亮度,是源于对比的力度,而非其固有特质……原色在与其补色对比时,看起来最亮。”
Monet said: “Color owes its brightness to force of contrast rather than to its inherent qualities … primary colors look brightest when they are brought into contrast with their complementaries.
空间不时被打断,一会是4个壁龛,一会是白色和桦木原色胶合板之间的对比。
It is punctuated by 4 niches and a game of contrast between the white and birch plywood front panels.
通过大量的实验研究镭射卡纸对黄、品、青三原色油墨色彩再现的影响,同时与铜版纸、金银卡纸进行对比。
We will study the affection to color rendering of trichromatic of laser paper through many experiments and by contrasting laser paper with art paper gold and silver foil paper.
正是由于这种水下色彩的消失,水下摄影就需要一种可以补偿和还原色彩对比度的途径。
Due to this color loss underwater, underwater photography requires a means of compensation to restore the colors and contrast lost from absorption.
正是由于这种水下色彩的消失,水下摄影就需要一种可以补偿和还原色彩对比度的途径。
Due to this color loss underwater, underwater photography requires a means of compensation to restore the colors and contrast lost from absorption.
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