文森特·凡高是后期印象主义绘画大师。
Vincent Van Gogh was a painting master of later impressionism.
德彪西钢琴音乐和印象主义绘画在这一点上是一个突显的例证。
Debussy's piano music and Impressionist paintings on this point is a protruding example.
印象主义文学艺术与印象主义绘画艺术既有相通之处，又有自身的特点。
The art of literary impressionism has great similarities with that of artistic impressionism.
德彪西音乐和印象主义绘画的艺术追求、文化内涵及审美意蕴就是一个例证。
Debussy music and Impressionist paintings of artistic pursuit, and cultural connotation and Aesthetic is an example.
19世纪后期，随着自然主义文学、象征主义诗歌、印象主义绘画的诞生，印象主义音乐也随之诞生。
Impressionism music came into being in the late 19th century with the development of naturalism literature, symbolism poetry and impressionism painting.
保罗·高更是19世纪法国后印象主义绘画代表人物，他用感性的方法去观察自然、解释自然，形成了自己的艺术美学观。
Paul Ganguin was a French representative of impressionism painting in 19th Century. With geist way, he formed his own art aesthetics through observation and explanation of nature.
印象主义将绘画回归到本源，并强调纯粹的形式与纯粹的颜色。
Impressionism stripped painting back to its roots, restoring the emphasis on pure form and pure colour.
后期印象主义19世纪后半期法国的绘画流派，反对印象主义的客观自然性，以更为个人化的表现方式运用形式与色彩。
A school of painting in France in the late19th century that rejected the objective naturalism of impressionism and used form and color in more personally expressive ways.
印象主义的绘画和象征主义的文学诗歌，从艺术观念上影响了印象主义的音乐。
The impressionist painting and simplistic poetry have influenced the impressionistic music in the aspect concept.
后印象主义时期对“光”的运用则加入了主观情感的成分，更加注意绘画形式的表现力，自然的光线在油画中地位下降。
In Post-Impressionism, "light"added subjective feeling to pay more attention to the showing of form, so the nature declined in the oil painting.
印象主义的，尤指绘画方面；印象派的。
印象主义风格就是印象派画家在绘画中形成的艺术特色。
Impressionism Impressionist painters in the painting style that formed the artistic features.
他的画既有传统绘画坚实的造型，又有印象主义画派明亮、鲜艳、充满光感的色彩，可以说他是一个承上启下的重要画家。
His paintings combined traditional solid forms with Impressionist use of light and color. He was a pivotal figure in the transition from Realism to Impressionism.
他的画既有传统绘画坚实的造型，又有印象主义画派明亮、鲜艳、充满光感的色彩，可以说他是一个承上启下的重要画家。
His paintings combined traditional solid forms with Impressionist use of light and color. He was a pivotal figure in the transition from Realism to Impressionism.
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