贯穿此曲的快速十六分音符，要模仿一只在飞行中的大黄蜂。
To thoroughly understand the sixteenth notes in this piece, one must attempt to imitate a bumble-bee in flight.
十六分音符，因为每拍有四个冲动点，我们继续，还可以问几个问题。
Sixteenth because we've got four impulses for each beat. Let's go on to the next here now a couple of questions we could ask.
小快板的第三乐章用川流不息的十六分音符节奏，表现出一种活跃奔放的精神境界。
Allegretto third movement with an endless stream of sixteenth note rhythms, showing a dynamic and imaginative spiritual realm.
我们也可以继续将八分音符，分为两个十六分音符，一二三四，二二三四，一二三四，二二三四，就像这样。
We could also take the two eighth notes and divide them into two sixteenth notes and then we get one-a-an-d-two-a-an-d - one-a-an-d-two-a-an-d something like that.
该乐曲主要是由十六分音符组成，但莫扎特在开头部分写下的节奏飞快的音符使弹奏该曲变得颇有难度，而有些音符则非常短促有力，所以将演奏者累得大汗淋漓。
So it consists mainly of semi-quaver runs, but Mozart writes at the heading, molto allegro making it more difficult to play and then very short notes so the pianist is really sweating hard.
该乐曲主要是由十六分音符组成，但莫扎特在开头部分写下的节奏飞快的音符使弹奏该曲变得颇有难度，而有些音符则非常短促有力，所以将演奏者累得大汗淋漓。
So it consists mainly of semi-quaver runs, but Mozart writes at the heading, molto allegro making it more difficult to play and then very short notes so the pianist is really sweating hard.
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