十二音技法作为二十世纪的音乐语言，首先产生于德国并在世界范围内开花结果。
Being the musical language of the twentieth century, twelve-tone technique originated in Germany and soon bloomed all world the world.
贝尔格所处的社会历史环境以及他对十二音技术的准备，对该作品的创作起到了决定性影响。
The socio-historical environment Berg lived in and the twelve-note technique preparation he had held played a decisive role in creating this piece of music.
通常，这些音就是图表上所谓的泛音，三十二个分音，或者叫泛音，在这张图中能清楚地看到。
Usually, these get charted out into the so-called overtones, thirty-two partials or overtones, and you can see them playing out here.
梅西安的序列技法不同于以勋伯格为代表的十二音音乐，亦不同于施托克·豪森等的整体序列音乐，文章用“多维准序列”加以界定并予以区别。
The Serial technique Messiaen used were quite different from the Twelve Notes music that representative of Arnold Schoenberg, nor the same of Integral Serial by Karlheinz Stockhausen and he others.
后者包含了“十二个音彼此平等”的十二音体系概念。
安东%·韦伯恩许多柔美的作品中有一种是最早吸收十二音方法的抽象作品，它包含了一些小组作品。
Much of the slender output of Anton Webern, one of the early adopters of the abstract 12-tone method, consists of works for small ensemble.
安东%·韦伯恩许多柔美的作品中有一种是最早吸收十二音方法的抽象作品，它包含了一些小组作品。
Much of the slender output of Anton Webern, one of the early adopters of the abstract 12-tone method, consists of works for small ensemble.
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