作者在本部分考证了豫北地方志中收录的北魏造像碑，并对豫北佛教造像碑的地域性特征以及其样式与风格进行了归纳总结。
The author examined the Bei Wei joss statues recorded in the local chronicles of North Henan, and summed up the regional characters and styles.
本文以几件佛教石刻造像为例，对北魏景明年间豫北地区佛教造像题材和艺术风格作以简要论述。
Based on several Buddhist stelae excavated from the northern Henan, the article researches the theme and art style of Buddhist stelae during the period.
万佛山摩崖立佛龛下奉鱼飞天乃为供养天，是北魏佛教汉化过程中特有的文化现象，表现了中原文化对外来佛教神祇的改造与重塑，是地域文化和民俗信仰在石窟造像中的反映。
The apsaras holding fish in Wanfoshan Grotto is a provider for the deity, which is a special cultural phenomenon in the process of chinesizaton of Buddhism in Northern Wei Dynasty.
万佛山摩崖立佛龛下奉鱼飞天乃为供养天，是北魏佛教汉化过程中特有的文化现象，表现了中原文化对外来佛教神祇的改造与重塑，是地域文化和民俗信仰在石窟造像中的反映。
The apsaras holding fish in Wanfoshan Grotto is a provider for the deity, which is a special cultural phenomenon in the process of chinesizaton of Buddhism in Northern Wei Dynasty.
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