反叛是北野武电影的重要特征。
北野武，日本著名电影导演、演员、电视节目主持人。
Takeshi Kitano, a famous Japanese film director, actor, TV presenter.
《北野武的挑战》：一些玩家坚信，这部游戏是作为酷刑来惩罚玩家的。
Packaged insanity: Some players remain convinced that Takeshi's Challenge is actually a torture implement masquerading as a video game.
个性化造就了北野武，你可能不喜欢北野武的电影，但你肯定会记住他的电影。
Personality brought up Takeshi. You can dislike his films, but you will remember his films.
在世界电影日益趋向个性化的时代，北野武以他鲜明的个性风格确立了他在世界影坛的地位。
Today everyone was chasing his personality, and Takeshi Kitano established his space in the film stage of the world depending on his personality.
在继承中反叛，在反叛中回归，这正是北野武电影的主题，也是他创作电影的出发点与归宿。
Rebellion in inheriting, returning in rebelling, this is Takeshi's films' jumping-off point and regression point.
多样的叙事结构，独特的拍摄手法，符号化的人物，意向化的影像，这一切都为北野武的电影主题服务。
Numerous narrating styles, special shot ways, symbol characters and imagery portraits, all of these were serving for the films' theme.
北野武的电影作品基本上都是自编、自导、自演的，这样使得这些电影在最大程度上保证了自己思想、观念的呈现。
Takeshi Kitano's films are basically self-wrote, self-directed and self-performed, so he assured that his thoughts and ideas can be presented integrally through the movie.
北野武——日本著名的多才艺人，他既是导演也是演员还是节目主持人，而不论哪一个身份的北野武，成就都是非凡的。
Kitano - Japan's famous much talent person, he is both director is also an actress or show host, regardless of which one identity kitano, achievement is extraordinary.
1986年，日本著名导演北野武制作了一部叫做《北野武的挑战》（Takeshi's Challenge)的游戏。
In 1986, renowned Japanese renaissance man, 'Beat' Takeshi Kitano, presided over the creation of Takeshi's Challenge.
北野武在自传《浅草小子》里写道：我的表演不论蹩脚还是高明，受欢迎还是不受欢迎，我都会把它当作自己的真实水平来看待。
Takeshi Kitano said in his autobiography a kid from Asakusa, 'I'm always doing my performance according to my real ability, no matter it is poor or excellent, welcomed or disliked.
北野武在自传《浅草小子》里写道：我的表演不论蹩脚还是高明，受欢迎还是不受欢迎，我都会把它当作自己的真实水平来看待。
Takeshi Kitano said in his autobiography a kid from Asakusa, 'I'm always doing my performance according to my real ability, no matter it is poor or excellent, welcomed or disliked.
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