从绘画走向动画、电影，提供了一种全新的美学和视觉经验。
The shift from painting to animation and film has provided an entirely new aesthetic and visual experience.
第三章从经典美学中的悲剧意识出发，试图寻找出动画艺术文本叙事范式的审美张力与思维深度的支撑点。
The third chapter in the tragic sense of classical aesthetics, tries to find out the animation art aesthetic paradigm Narrative tension and depth of support points of thinking.
动画艺术充分展现了现代艺术及审美领域内的新风尚，体现了对传统艺术及美学的革新精神。
Animation art fully displayed within the field of modern art and aesthetics of new style, embodies the aesthetics of traditional arts and innovative.
第四章论述了国产动画电影传统美学风格形成的文化基因。
The artists introduced the freehand brushwork in traditional Chinese painting into the films, and form a unique style.
2000年，他的动画艺术短片《父与女》得到了世人的肯定，清新质朴的东方美学风格和对爱与生命等话题的深入探究和认知是他成功的重要原因。
His animation film "Father and Daughter" has received acclaim from people all over the world in 2000, the fresh flavor of orient and the cognition of love and life was the reasons for his success.
宫崎骏动画色调上淡雅朴素，画风简约，试从日本文化和美学的角度分析这一风格形成的原因。
HayaoMiyazaki's cartoons are fresh and natural in colors and simple in pictures. It is analyzed why his style come into being from the Angle of Japanese culture.
本文将对宫崎骏动画电影，尤其是其动画影视语言及动画电影美学作一次较为全面的整理和研究。
This paper makes a comprehensive collation and researching on Miyazaki's cartoon films, in particular from his animation films language and animation films aesthetic side.
动画创作者能够最年夜限度应用荒诞美学吸收欣赏者，让更多欣赏者沉浸此中。关头词：动画；
Animation creators to maximize the use of grotesque aesthetics to attract viewers, so that more of them immersed viewers.
动画创作者能够最年夜限度应用荒诞美学吸收欣赏者，让更多欣赏者沉浸此中。关头词：动画；
Animation creators to maximize the use of grotesque aesthetics to attract viewers, so that more of them immersed viewers.
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