照片呈现两种极端情况：一种是拍摄一大群人，将其作为灾难波及范围的标志；另一种是拍摄单个受难者，给观众留下深刻印象并产生强烈的同情感。
The pictures express two extremes: the notion of mass as a sign of the extent of the tragedy, and the single victim with whom the viewer identifies and is moved to empathize.
照片呈现两种极端情况：一种是拍摄一大群人，将其作为灾难波及范围的标志；另一种是拍摄单个受难者，给观众留下深刻印象并产生强烈的同情感。
The pictures express two extremes: the notion of mass as a sign of the extent of the tragedy, and the single victim with whom the viewer identifies and is moved to empathize.
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