刻划符号符合黄金分割率的构图，蕴涵了古代先民的美学思想。
The symbols'composition corresponding to the gold proportion, can not only reflect the esthetics thought of the ancients, but also contained enormous cultural values.
陶器刻划符号的研究涉及到我国古代文明、文字起源等问题，因此对它进行研究具有重要意义。
The research of pottery carved symbols mentions the origins of civilization in ancient China and the text, etc., so it is important to study it.
陶器刻划符号与文字有着密切关系，是由原始记事方法向文字的过渡形态，是文字的前身，与文字有着渊源关系并一脉相承。
Pottery carved signs are the transition from the way of write notes to the character, it's the predecessor of the character, and they have the relation with the same strain.
壮族文字由来壮族先民在长期的生产实践和社会活动中，为了便于记事和进行交流，在商周时期就创造了刻划文字符号。
Zhuang ancestors in the long-term production practice and social activities, in order to facilitate the exchange notes and, in the Shang and Zhou dynasties carved on creating a text message.
壮族文字由来壮族先民在长期的生产实践和社会活动中，为了便于记事和进行交流，在商周时期就创造了刻划文字符号。
Zhuang ancestors in the long-term production practice and social activities, in order to facilitate the exchange notes and, in the Shang and Zhou dynasties carved on creating a text message.
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