当然，事情没那么简单，为了赚钱买颜料进行创作，弗兰岑有时会被迫在艺术博览会这样的地方给别人画像。
Of course, it's not as easy as that, and so Frantzen had to paint other people's portraits at places like art fairs just to make money to buy paint for her more serious artwork.
她写道她一直以来学到的仅仅是像其他人一样去进行创作，接着她决定她将不会再把她的人生花费在去做别人已经做过的事情上。
She examined it and did not find herself in the art.She wrote that she had been taught to work like others.She decided then that she would not spend her life doing what had already been done.
创作不能被复制的内容：如果你一味地重复别人已经写过的内容，那你将很容易被代替。
Create content that can't be duplicated. The very definition of a replaceable blog is one that only regurgitates what others are writing about.
我不太可能画条线说，线这边是别人的想法，那边是我自己的想法，我也没办法告诉你其他人的创作对我有多大程度的影响，因为我对别人的借鉴都是在潜意识中完成的。
I can't possibly draw the line and say exactly where somebody else's ideas end and my own begin and to what extent it colors my work because most of that borrowing is done subconsciously.
换句话说，你越享受创作，别人也会越享受你的创作。
In other words, the more you enjoy creating, the more others will enjoy it too.
1977年迈克尔斯与别人一 起创作了最著名、最长的新嬉皮士喜剧。
Michaels co-created, arguably the most famous and longest running sketch comedy show in 1977.
这意味着在吸收了这个作品的精华和别人的灵感之后，他们就能够通过自己的创作和思考对任何素材进行重组，然后创造出真正属于他们自己的作品。
It means they so absorb the work and ideas of others that they can recombine everything with their own work and thoughts to create something truly theirs.
我写了很多歌，不是看别人的歌单创作而来的，这很重要。
Also it's important that I write the songs too, which is different from seeing a lyric sheet from someone else.
历史上许多艺术家，包括米开朗基罗，都是在别人的委托下进行艺术创作的。
Throughout the ages, many great artists, including Michelangelo, created art on commission.
在众多作品中，也许最为完美的一座雕塑要算是艾哈迈德·阿卜杜勒·瓦哈卜创作的无名雕塑，我对这个作品粗浅的解释是，作品表现的是一张面对恶魔犄角的动物面庞，可以肯定的是，肯定别人会给出不同的解释。
Of these, the finest example may be an untitled statue by Ahmed Abdel Wahab. My interpretation of it was that of an animal face with the horns of a devil, but others may see it differently.
就自己而言，我喜欢我的所有创作，但我不知道别人会不会买账。
To me, I'll love everything I do, but you don't know what anyone else's take will be on it.
它还给所有那些依靠从生活素材改编故事、并以此为生的人(包括我自己)提出了问题：我们是否有权利用别人的素材来创作？
It also raises questions for anyone - myself included - who makes a living by weaving stories from the threads of life: do we have the right to weave with other people's threads?
但是，作为词曲创作人意味着有时你的想法并不能得到别人的认可。
But being a songwriter means that sometimes not all of your ideas are appreciated.
如果别人喜欢它，这很好，但更为重要的是，它让我享受到了创作的乐趣。我很珍惜那一刻。
If others like it, great, but it's the enjoyment of my creative intention, in the moment, that I treasure.
这可能不是你想从一个创作媒体的人这里听的一课，但是我们花越来越多的时间低头看手机，而不是注视别人的眼睛。
This may not be a lesson you want to hear from a person who creates media, but we are spending more time looking down at our devices than we are looking in each other's eyes.
她写道她一直以来学到的仅仅是像其他人一样去进行创作，接着她做出了一个决定，那就是她将不会再把自己人生花费在去做别人已经做过的事情上。
She examined it and did not find herself in the art. She wrote that she had been taught to work like others. She decided then that she would not spend her life doing what had already been done.
艺术家的创作环境是相对的，只要你胸中有自己，你的心不被别人所左右，这是最好的环境。
The creative environment for an artist is comparative. Only if you have your own idea and would not effect by others, this is the best environment.
本文即是根据上述比喻，将刘恒的影视创作道路划分为三个阶段：改编自己的作品、改编别人的作品和走向原创。
" Based on the above analogy, Heng Liu"s creation can be described as a three -stage development, that is adaptation of his own works, works toward adaptation of others and originality.
1611年，他写成《暴风雨》，这是他所有剧作中唯一一部原创作品——通常他都是重述别人的故事。
He wrote the Tempest in 1611, and it is his only play with an original story - usually Shakespeare retold other people's stories.
中国建筑创作不应该是在别人后面亦步亦趋，而应该找到自己独特的甚至更优秀的东西，来引领世界。
Chinese architecture should not follow the steps of other countries, but its particularity even excellent parts should be found out in order to take a lead in the area of architecture in the world.
很多人觉得face歌中有女性化的层面(用词很细腻)，face说要更好的创作就要多听别人的感受和了解自己的感受。
When asked about the feminine side in many of his songs, he answered that writing good music is all about listening to one's own feelings and the feelings of others.
很多人觉得face歌中有女性化的层面(用词很细腻)，face说要更好的创作就要多听别人的感受和了解自己的感受。
When asked about the feminine side in many of his songs, he answered that writing good music is all about listening to one's own feelings and the feelings of others.
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