通过选择，我们首先意识到电影作为意象原型的无处不在，威勒克自己创作的图像达到一个新的表现强度和幻象的自主性。
By choosing first to acknowledge cinema's omnipresence as a reservoir of prototypical imagery Willeke's own painted images achieve a new intensity of expression and a new 'illusionistic' autonomy.
通过选择，我们首先意识到电影作为意象原型的无处不在，威勒克自己创作的图像达到一个新的表现强度和幻象的自主性。
By choosing first to acknowledge cinema's omnipresence as a reservoir of prototypical imagery Willeke's own painted images achieve a new intensity of expression and a new 'illusionistic' autonomy.
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