绪言：刘熙载书法理论产生的历史背景的介绍。
Introductory: The history background in which Liu Xizais calligraphical thoughts came into being.
中国古典美学在19世纪后半期完成了它的总结形态，它的总结和终结，可以其末代大师刘熙载作为标志。
The classical Chinese aesthetics put an end to its summing-up state in the latter half of the 19th century, which might be marked by Liu Xizhai, a great master.
刘熙载又进一步提出“诗为天人之合”，增加了主体因素，把主体与客体有机结合起来，实质上就是把文艺的本质归结为审美主客体的统一。
Liu Xizai brought up furthermore that "poetry was the fusion of human and universe", which added the subject factor, combined the object and subject.
刘熙载又进一步提出“诗为天人之合”，增加了主体因素，把主体与客体有机结合起来，实质上就是把文艺的本质归结为审美主客体的统一。
Liu Xizai brought up furthermore that "poetry was the fusion of human and universe", which added the subject factor, combined the object and subject.
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