都是简历中最好是添加一些与技能相关的模板内容；还有创作性写作，就是记者职位所要具备的。
However it would be wise to add modules that demonstrate relevant skills; creative writing, for instance, would be of value for journalism.
简介：作家将自己的文学创作与上海城市文化的关系娓娓道来，与读者一起感受写作的魅力、阅读的快乐。
Brief Intro: the writer explains the relationship between her literature creation and the city culture of Shanghai, feeling the charm of writing and the happiness of reading with readers together.
就写作主体而言，就必须具有与基础写作、文学创作一般思维不同的特质性思维。
As to author, he or she should has the idiosyncratic thought which is differ from the general thought of basic writing and literature writing.
但是，近于工笔式的写作手法，与现实拉开距离的苦难题材，颇有些神化的人物形象塑造，也成为曹文轩创作的缺失之处。
But his way of writing like fine brushwork, hardship themes which are far away from realism, and the mythical figures he establishes also become his defect.
这三种创作原则与文本紧密结合从三个层次上形成了小说的写作特色。
These principles combine closely with the novel and form the writing characteristic from three levels.
绘画、音乐、语言、写作学习与创作已经成为我生活的重要组成部分。
Painting, music, language and Writing learning and creating have become an important part of my life.
本文以当代诗歌流派的主要创作为参照点，着重从“口语化写作”方面深入探讨其中的优点与缺失。
This paper mainly intends to explore the merits and demerits of the contemporary poetry in view of their informal style, taking the major poems of contemporary schools as a reference.
主要围绕她看似惯常的苏州写作实则潜隐着写作倾向力的变迁过程，探究其小说在前后期创作的常与变。
Focusing on her seemingly customary Suzhou writing but the tendency of writing the article explores the changing process of the creation of novels before late and change.
他在写作中记录自己，在叙说中阅读自己，承担了作者与读者的双重身份，体验着创作与欣赏的双重快乐。
When writing, he is recording and reading himself. So he shoulders a double identity of writer and reader, and enjoys creation and appreciation.
在许多写作陷入个人化、纯私人化写作，许多艺术陷入追逐市场与商业运作之时，更应该告诫我们同仁的是——精品的创作与耐得寂寞。
Now literature world confronts creation becomes more and more personal and commercial, we should warn ourselves that we must endure loneliness to produce boutique works.
并经过比照被冠以身体写作头衔地三代女作家地创作来窥探身体写作地开展与转变及其将来地走向。
And through the contrast is crowned the body writing three generations of writers of title creation to see the change and development of the body writing and the course of the future.
其次比对枚乘《七发》与傅毅《七激》的创作背景与创作内容，解答“七”体写作二百年沉寂这一奇特现象。
And secondly, to interpret the phenomenon that absence of Qi-style writing in two centuries through comparing the writing backgrounds and contexts between Qifa by Mei Sheng and Qiji by Fu Yi.
其次比对枚乘《七发》与傅毅《七激》的创作背景与创作内容，解答“七”体写作二百年沉寂这一奇特现象。
And secondly, to interpret the phenomenon that absence of Qi-style writing in two centuries through comparing the writing backgrounds and contexts between Qifa by Mei Sheng and Qiji by Fu Yi.
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