在指出了他的基本观点之后，又从四个方面具体分析了二者关系的具体表现。
After expounding his basic viewpoints, he concretely analysed specific performances about the relationship between the two from four areas.
本文简要分析了文学翻译中媒介者(即译者)的创造性叛逆，并对它的具体表现形式进行了论述。
This article analyzes creative treason by mediators-translators in literary translation, and discusses its concrete forms.
那么，二者之间的关系具体表现在哪里呢？
In that case, the specific relationship between the two in the wrong?
新达达主义者的作品，如丁格利的自毁作品「向纽约致敬」（1960），具体表现出一件雕刻品的概念就是它同时作用在物体和发生的事件上。
Neo-Dadaist works such as Jean Tinguely's self-destructing Homage to New York (1960) embody the concept of a sculpture that functions as both an object and an event-a "happening."
新达达主义者的作品，如丁格利的自毁作品「向纽约致敬」（1960），具体表现出一件雕刻品的概念就是它同时作用在物体和发生的事件上。
Neo-Dadaist works such as Jean Tinguely's self-destructing Homage to New York (1960) embody the concept of a sculpture that functions as both an object and an event-a "happening."
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