第三章是对传统装饰艺术与现代装饰艺术关系的美学探讨。
The third chapter is mainly to the tradition decorative art and the modern decorative art relations esthetics discussion.
但是，这不过是富裕的中产阶级所选择的一种生活方式而已，它是一种关于食物的美学，跟现实问题毫无关系。
But these are merely lifestyle choices for the affluent middle-classes, a matter of aesthetics, and nothing to do with the real issues.
阐述它与人本主义、建构主义、接受美学等理论的关系。
Elaborated it with humanism, the construction principle, accepts theory and so on esthetics relations.
中国古典文艺美学与“气”有着密切的关系。
Chinese Classical Literary aesthetics has close relation with Qi.
在文章的第二部分，我首先陈述了美学和翻译的概念，美学和翻译之间的关系。
In the second part of this article, I first state the concept of aesthetics and translation, then the relationship between them.
价值评价性、价值理想性、价值人文性、价值关系性以及价值宏观性五个方面，构成《巴黎手稿》价值论美学思想的主要特征。
The five features: value evaluation, value ideal, value humanity, value relations and macro value have constructed the main characteristics of axiological aesthetic thoughts in Paris Manuscript.
并希望这一研究能对深入认识中国古代美学与哲学的关系问题具有一定的价值和意义。
We hope that the research will be certain value and significance in how to treat the relations between Chinese ancient aesthetics and philosophy.
波德莱尔美学思想中关于艺术与道德的关系、应和、现代性的思想非常富有深意和新意。
Aesthetics thought of Baudelaire about the relationship between art and morality, correspondences and modernity is new and profound.
本文旨在论述翻译与美学的关系。
This Paper intends to explore the relationships between translation and aesthetics.
现实主义作为艺术探究的一个维度，所关注的是艺术与现实的美学关系。
Realism as a dimension of art study, is mostly concerned with the aesthetic relationship between art and reality.
探讨先秦语言哲学与美学的关系将有助于我们认识中国美学传统的现代意义。
Studying Pre Qin linguistic philosophy will be helpful in understanding the modern significance of Chinese aesthetics' tradition.
人与自然的关系，是德国古典哲学（包括美学）关注的中心。
The relation between man and nature is the focus of German clas sical philosophy (including aesthetics).
电影与文学的关系是一个实践性很强的美学课题，其实践性就体现在文学作品的电影改编上。
The relation of film and literature is a very practical aesthetic problem, and its practicality is embodied on film adaptation.
艺术与现实的关系是文艺美学的基本问题。
The relationship between art and reality is the basic problem of Art Aesthetics.
从实践唯物主义及其实践概念出发的人对现实的审美关系，是实践美学的中心研究对象。
The aesthetic relation of human treating reality that starts from practical materialism and practice concept is the central research object.
从桥梁设计的角度，探讨了桥梁美学与结构工程学之间的相互关系。
With the view of bridge design, the relationship between bridge aesthetics and structural engineering is discussed.
本文结合《淮南子》中的音乐美学思想，分析和讨论了音乐审美关系的构建及音乐审美主体的接受差异。
Combining with music aesthetical thoughts of Huainanzi, this article analyzes and discusses the formation of music aesthetical relations and the accepting differences among aesthetic subjects.
人的审美素质和美学精神正在与现代社会发生着密切的关系。
Therefore, the people 's aesthetic quality and aesthetic spirit maintain close links with the modem society.
从理论方法上分析这一现象，我们不难得到“艺术与现实的美学关系”这样的暗示。
To analyze it from the perspective of the theoretical means, we can easily get such a hint as "the aesthetic relationship between art and reality".
论述了体育运动的美学价值和体育审美主体与体育运动美感之间的关系。
This paper discusses the esthetic value and the relationship between the sports esthetic subject and athlete sports esthetics.
光照设计应解决好功能、美学和健康之间的关系，使照明质量达到心理学、生理学、卫生学和美学等方面的科学与艺术统一。
If the relationship between light designing and function, esthetics, and health can be correctly dealt with, a scientific combination among physiology, psychology, hygiene and esthetics is reached.
无论是哲学思想的源泉，还是它们所遵循的美学原则，自然式植物种植形式和中国水墨画都有血肉相连的关系。
No matter the source of the philosophy thought, than aesthetic principle they follow the natural planting form and Chinese ink painting is related by flesh and blood.
旅游美学是以美学基本原理为指导，研究旅游活动过程中的审美关系的一门带有高度实践指导意义的学问。
Under the guidance of basic theory of aesthetics, tourism aesthetics is a kind of applied science, which is practically based on the research of aesthetic relationship of tourism activity process.
特别是老庄美学在人与自然之和谐关系的处理上更是启迪着当今生活在“工具论”世界里的人们。
Especially in Lao Zhuang's Aesthetics, the harmonious relations between the nature and the human being enlighten the present people who are living in the "discussion of instrument" world.
对作者话语与他人话语关系的动态分析是巴赫金新美学的真正开端。
The dynamic analysis to author's discourse and others' discourse relation is the real beginning of new aesthetics of Bakhtin's.
对作者话语与他人话语关系的动态分析是巴赫金新美学的真正开端。
The dynamic analysis to author's discourse and others' discourse relation is the real beginning of new aesthetics of Bakhtin's.
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