让我们为“元叙事”的时代画个句号吧。
在他的哲学话语中，上帝始终是一个元叙事。
就元叙事的电影文本而言，可谓处处充满了矛盾。
The meta-narrative films are filled with contradictions everywhere.
现代性的话语以“元叙事”为其特征，技术乌托邦主义即是现代性的“元叙事”之一。
The Utopia of technology is one of the modern "meta-narratives" that characterized the discourse of modernity.
而他所进行的思想与文化批判的结果，最终归结为在“后现代主义”的名义下对现代性与“元叙事”的批评。
He carried out the result of ideological and cultural criticism, comes down to the "postmodern" in the name of modernity and the "meta narrative" ultimately.
无数可能性参与进叙事层面，并构成了“元小说”。
Numerous possibilities have joined the "narration plane" to constitute the "meta-fiction".
他的小说叙事艺术变革体现在两方面：一是“元小说”的大胆尝试，二是叙事时间的颠倒错乱。
The transform has been reflected in these two aspects: one is the bold attempts of the meta-fiction writing and the other is the inversion of narrative time.
该文深入、细致地分析了它的结构形式，并认为8个行动元、19个功能形成了这类小说的叙事形式和语义内容，还分析了它的叙事特征。
The paper analyses its structure form deeply and carefully, and holds it is made by 8 actors and 19functions, and also analyses its narrative style briefly.
洛奇的校园小说《换位》、《小世界》和《美好的工作》均存在两条平行开展的叙事线索，也即“二元结构”，这种结构方式的利用有利于表现其作品的文化冲突主题。
The realization of Binary Structures in David Lodges trilogy Changing Places, Small World and Nice Work vividly reveals culture conflicts, one of the most important themes in his works.
因此本文系以探讨元、白对于中国诗歌的叙事模式在理论与实践上的成就为出发点。
My point of departure is thus to examine Yuan's and Bo's theoretic and practical contribution to the development of narrative mode in Chinese poetry.
但《24小时》的叙事模式不是它冲击屏幕的唯一元素。
But its format wasn't the only eyebrow-raising element "24" brought to the screen.
在市民文学的文本世界之中，普遍呈现出精英与平民、高贵与平贱、雅与俗、理想与实在的二元对立，这种二元对立成为许多市民小说的叙事结构中心。
A lot of citizen novels commonly showed the dualistic opposition between elite and common people, noble and poor, refined and vulgar, ideal and practical.
在市民文学的文本世界之中，普遍呈现出精英与平民、高贵与平贱、雅与俗、理想与实在的二元对立，这种二元对立成为许多市民小说的叙事结构中心。
A lot of citizen novels commonly showed the dualistic opposition between elite and common people, noble and poor, refined and vulgar, ideal and practical.
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