贵州傩文化主要表现在傩戏的演出中。
In Guizhou province there exist three types of the Nuo opera in three different regions.
这才是池州傩戏存在的现实社会意义。
Thus the actual social meaning of Chizhou Nuo Opera is shown.
巫傩面具显示了傩文化、傩戏的不朽魅力。
The mask of sorcery and Nuo play has shown immortal attraction of Nuo culture and Nuo play.
他想用这些从贵州买回的傩戏面具装饰书房。
He wants to decorate the study with Nuo opera masks bought in Guizhou province.
随着“咚咚推”响起，两位村民开始表演傩戏。
As Tong Tong Tui sounds, two villagers begin to perform Nuo Opera.
傩戏是傩文化的载体，面具是傩戏艺术的重要特征。
It is the carrier of Nuo culture, with masks as its major artistic feature.
他创作的中国话剧结合了中国古代的傩戏、皮影、戏曲和说唱。
When he created a Chinese oral theatre, he adopted elements from ancient masked drama, shadow plays and the dancing, singing and drumming traditions.
傩戏和傩舞是当地众多民族用来祈福消灾、休闲娱乐的重要的艺术形式。
Nuo opera and Nuo dance are important form of blessing and entertainment for local people.
湘西傩堂戏源于中原汉族的傩堂戏，曾经历了傩祭傩仪傩舞傩戏的演变历程。
Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.
文章从两者的起源开始探究，剖析了日本能乐在角色、行当和表演形式等方面受到中国傩戏的影响。
The Nuo play and the Noh play are respectively one of important drama forms in China and Japan.
傩戏誉称为“中国戏剧文化的活化石”，有丰富的文化内涵和多学科的学术价值，为中华传统文化之瑰宝。
The Nuo play, known as the "living fossil of the Chinese play culture", is a cultural treasure with rich cultural connotation and multiple academic value.
总之。辰州傩戏具有深刻丰富的民俗学文化内涵，是系列民俗内容与人音乐舞蹈形式再现出来国家级非物质文化瑰宝。
In a word, Chenzhou Nuo Opera possesses cultural connotation of folklore and belongs to immaterial cultural treasure embodied by folklore, and music and dance.
健一的妻子将一盘录像带送给公公，其中记录了健一这些年在中国拍摄傩戏的经历，希望高田能借此多了解一下儿子的生活。
Kenichi's wife gave the father a videotape, which records Kenichi these years in China Nuo Opera shooting experience, I hope to know more about Takada able to take his son's life.
本文广泛介绍了国内外存在的面具禁忌现象，并着重对贵州撮泰吉面具、傩堂戏面具和地戏面具的禁忌进行了深入的分析。
This paper introduces the mask taboo at home and abroad, and gives analysis to the three types of mask in Guizhou, namely Zuotaiji, Nuotangxi and Dixi.
本文广泛介绍了国内外存在的面具禁忌现象，并着重对贵州撮泰吉面具、傩堂戏面具和地戏面具的禁忌进行了深入的分析。
This paper introduces the mask taboo at home and abroad, and gives analysis to the three types of mask in Guizhou, namely Zuotaiji, Nuotangxi and Dixi.
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