《扒手》(1959)被誉为布氏接近完美的杰作，藉扒手磨练高超偷窃术，以镜头逼视手部动作的细节，达致情感的倾泻与救赎，效果震撼。
The thief (1959) known as Brandt's near perfect masterpiece by pickpockets steal to hone superb technique, the lens at hand action details, pouring and redemption achieve emotional, shock effect.
《扒手》(1959)被誉为布氏接近完美的杰作，藉扒手磨练高超偷窃术，以镜头逼视手部动作的细节，达致情感的倾泻与救赎，效果震撼。
The thief (1959) known as Brandt's near perfect masterpiece by pickpockets steal to hone superb technique, the lens at hand action details, pouring and redemption achieve emotional, shock effect.
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