侗族大歌是广泛流传于侗族南部方言区的一种民间无伴奏多声合唱艺术。
Dong minority chorus is a non-accompany, multi-sound chorus folk art, which is wide spread in Southern Dong minority.
作为“传统知识”的侗族大歌由于没有有效法律机制的保护同样不可避免地遭受了不当的侵害。
Similarly, as "traditional knowledge" the Dong minority big song, without the effective legal protection, inevitably suffer the improper violation.
所以从功能主义的理论视野探究侗族大歌的社会功能及其现代嬗变，具有重要的理论和现实意义。
It is therefore significant theoretically and practically to make a study of the transformations of Dong ethnic's songs from the perspective of functionalism.
所以从功能主义的理论视野探究侗族大歌的社会功能及其现代嬗变，具有重要的理论和现实意义。
It is therefore significant theoretically and practically to make a study of the transformations of Dong ethnic's songs from the perspective of functionalism.
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