就像她的前辈佐拉·尼尔·赫斯顿和格温德林·布鲁克斯一样，她把小说的重点放在一个普通的黑人女性在黑人社区的背景下寻找身份。
Like her immediate predecessors, Zora Neale Hurston and Gwendolyn Brooks, she focused her novel on an ordinary Black woman's search for identity within the context of a Black community.
佐拉·尼尔·赫斯顿是美国伟大的小说家，民俗家，人文学家。
Zora Neale Hurston is a great novelist, folklorist, and anthropologist in America.
《他们的眼睛望着上帝》是美国著名黑人女作家佐拉·尼尔·赫斯顿的代表作。
Their Eyes Were Watching God is a representative novel of American black woman writer Zora Neale Hurston.
佐拉·尼尔·赫斯顿(1891—1960)是二十世纪二、三十年代一位出色的黑人女作家和人类学家。
Zora Neale Hurston (1891-1960) was a remarkable African American woman writer in the 1920s and 1930s, a major figure of the Harlem Renaissance.
本文旨在分析这些象征以阐示佐拉·尼尔·赫斯顿是如何运用他们来阐明主人公珍妮摆脱男性和白人的压迫。
The thesis focuses on the analysis of these symbols in order to illustrate how Zora Neale Hurston makes the protagonist Janie get rid of the oppression of the male and the white.
佐拉·尼尔·赫斯顿在《他们眼望上苍》中塑造了白人主流文化侵袭下的各类黑人形象，对种族出路问题进行了冷静的思考。
In Their Eyes Were Watching God, Zora Neale Hurston depicts different types of black image within the white world and implies the possible way out for the black people.
佐拉·尼尔·赫斯顿是第一位以黑人妇女为主人公，并以表现黑人妇女寻求自我为主题的黑人女作家，为当代黑人女性主义文学建立了框架。
Regarded as the first black woman writer to express the theme of black women's search for identity, Zora Neale Hurston has become an important precursor in black female literary history.
佐拉·尼尔·赫斯顿是第一位以黑人妇女为主人公，并以表现黑人妇女寻求自我为主题的黑人女作家，为当代黑人女性主义文学建立了框架。
Regarded as the first black woman writer to express the theme of black women's search for identity, Zora Neale Hurston has become an important precursor in black female literary history.
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