案件中发现的伤逝未被证实。
但这也是人类美丽的伤逝。
并意识到，太迟了，他们过去总为时光伤逝。
悲伤的友人或伤逝。
第二部分详细分析了歌剧《伤逝》的艺术特征。
Section 2 analyzes the artistic characteristic of the opera "Regret for the Past" in detail ;
《伤逝》中子君的悲剧具有深刻的社会批判意义。
Zi Juns tragedy has profound significance on social critique.
第二章主要论述了歌剧《伤逝》的文学特征，音乐特征和表演特征。
The second chapter discusses the opera "Mourning" literary features, music features and performance characteristics.
本文意在说明《伤逝》是一篇现实主义与象征主义高度融合的艺术作品。
The purpose of this academic dissertation is to indicate that "Shang Shi" is an artistic works highly mixed realism together with symbolism.
《伤逝》显示了作者矛盾性思维的复杂性与未完成性，并且具有某种哲学品格。
Generally speaking, the novel reflects complexity and imperfect of the authors contradictory thinking and indicates the philosophy character in some measure.
《伤逝》是鲁迅创作的唯一一部爱情小说，也是一部仁者见仁、智者见智的作品。
Regret for the Past is the only love novel wrote by Lu Xun and is also a work of preference.
《伤逝》中涓生和子君的爱情悲剧，有其外在的社会原因，更有其内在的个性因素。
There is an external social reason and internal personality factors in the love tragedy between Juansheng and Zijun in Shangshi.
鲁迅的《伤逝》和史铁生的《礼拜日》对爱情困境的思考就是对爱与自由这一悖论的思考。
The reflection on love dilemma in Lu Xun's story Regret for the Past and Shi Tiesheng's story Sunday are the thinking with regard to love and freedom.
鲁迅的《伤逝》和史铁生的《礼拜日》对爱情困境的思考就是对爱与自由这一悖论的思考。
The reflection on love dilemma in Lu Xun s story Regret for the Past and Shi Tiesheng s story Sunday are the thinking with regard to love and freedom.
拙文是作者学习与理解《伤逝》的艺术内涵，表现子君人物角色的理论实践及艺术实践的粗浅体会。
This essay is aimed to help to understand the art connotation of the Shangshi, its exoterica and practice of expressing the role of Zijun better.
《一个女人》和《伤逝》即是二者女性观的反映。而且都提出了女性觉醒之后的道路应该如何去走的问题。
One woman and Shangshi not only reflect the two authors' views on women liberation but also put forward the way after women's awakening.
《伤逝》承载着鲁迅内心世界丰富的情感信息，既是对朱安命运的直接预言，也是对旧式婚姻生活的回顾与告别。
The Mourn loaded the emotion of Lu Xun 's abundant heart, and it is not only the direct prediction of Zhu an's destiny, but also the review and the farewell of the old marital life.
这两部作品均不同程度地体现了追求爱情和个性解放的思想要求，《伤逝》较《玉梨魂》更富有悲剧意蕴和现代性。
In these two works, love freedom and individual liberty show in different degrees, but SHANGSHI is much more tragic and modern than YULIUHUN.
当代著名作曲家施光南，创作了许多艺术性、通俗性兼具的优秀作品，包括大量的艺术歌曲和《伤逝》、《屈原》两部歌剧。
Mr Shi Guangnan is a well-known contemporary composer, he created a lot of artistic and popular works, which include many artistic songs and two operas named ShangShi and Qu Yuan.
19世纪末20世纪初美国女作家凯特。肖班的《觉醒》和中国著名作家鲁迅的《伤逝》深刻地反映了当时女性寻求个性解放和自由的思想。
The ideas of women' s pursuing individualism and freedom are deeply reflected in both American female writer Kate Chopin's Awakening and Chinese famous writer LuXun's Shangshi.
从“微型对话”的叙述方式解读《伤逝》，它在复调意义上具有一种朝向内部的对话性。 即人物自身的双重性构成了微型对话叙述方式，后者反过来透露出人物冲突的双重性格。
The paper analyses lamenting over the dead from the narrative style of "miniature dialogue" and considers it to have the inherent dialogic quality based on polyphony.
从“微型对话”的叙述方式解读《伤逝》，它在复调意义上具有一种朝向内部的对话性。 即人物自身的双重性构成了微型对话叙述方式，后者反过来透露出人物冲突的双重性格。
The paper analyses lamenting over the dead from the narrative style of "miniature dialogue" and considers it to have the inherent dialogic quality based on polyphony.
应用推荐