巴赫则正相反的将众赞歌作为创作的基础。
Bach feels otherwise; he makes the chorale the foundation of his work.
巴赫将十二至十八世纪最重要的创造——众赞歌引入他的康塔塔和受难乐中。
The grandest creations of the chorale from the twelfth to the eighteen century adorn his cantatas and Passions.
如果说他们所有的努力都没有白费的话，就是出现了一个更伟大的人将众赞歌变成了音诗。
If all their struggles towards the ideal were not to be in vain, a greater man had to come, who should makes his chorale fantasias musical poems.
如果说他们所有的努力都没有白费的话，就是出现了一个更伟大的人将众赞歌变成了音诗。
If all their struggles towards the ideal were not to be in vain, a greater man had to come, who should makes his chorale fantasias musical poems.
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