这也是现代监控系统如此令人惊惧的原因。
It's also what makes contemporary surveillance systems so scary.
为什麽李斯特曲例和别的曲例这麽的不同，而且什麽造成了此曲明显且有点儿令人惊惧的效果？
Why does the Liszt example sound so different from the other examples, and what generates its clear and somewhat frightening affect?
为什麽李斯特曲例和别的曲例这麽的不同，而且什麽造成了此曲明显且有点儿令人惊惧的效果？
Why does the Liszt example sound so different from the other examples, and what generates its clear and somewhat frightening affect?
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