他的拍摄主题包括静物、人体、风景。
He often photographs subjects such as still lifes, the human body, and landscapes.
他的拍摄工作重点是亚洲的环境和社会问题，其中以中国为重点。
His work focuses on environmental and social issues in Asia, with specific emphasis on China.
因为他不想通过官方渠道，之前他的拍摄已不止一次被警卫或保安人员干涉了。
Because he tries not to go through official channels, he has been confronted more than once by security guards while photographing.
一旦发现时尚，他就以羚羊般的速度移动，找到最佳角度，不停地按下快门，记录他的拍摄对象。
His camera clicked constantly as he spotted fashions and moved with gazelle like speed to record his subjects at just the right Angle.
他担任拍摄组的联络员。
他很乐意在古巴拍摄他的电影。
他最近拍摄的影片没多大意思。
在电影拍摄过程中，柯蒂斯爱上了他的搭档克里斯廷·考夫曼。
During the filming, Curtis fell in love with his costar, Christine Kaufmann.
他在讲演中使用了探险时拍摄到的幻灯片。
His lecture was illustrated with slides taken during the expedition.
库斯托通常是在开阔的海面上拍摄大型动物，而佩恩利夫往往拍摄较小的动物，他喜欢在浅水里拍摄。
Cousteau usually filmed large animals, usually in the open sea, whereas Painlevé generally filmed smaller animals, and he liked to film in shallow water.
通过电子邮件和耳机，他与首席气象学家杰克·帕里什协商，他们命令国家海洋和大气管理局的技术人员将探空仪放入拍摄中。
By e-mail and earphone, he confers with Jack Parrish, chief meteorologist, and they order the NOAA technician to slip a dropsonde into the shoot.
我的翻译是一名医生，他和我执行拍摄孕产妇的健康和死亡问题的任务。
My interpreter, who is a doctor, and I were on a mission to photograph maternal health and mortality issues.
编剧兼导演保罗·格林格拉斯竭尽所能地在他的描述中尊重事实，只有在每个受害者的家人都同意的情况下，他才会继续拍摄这部电影。
Writer-director Paul Greengrass has gone to great lengths to be respectful in his depiction of what occurred, proceeding with the film only after securing the approval of every victim's family.
他为这么晚才发现这“如此美妙的发明”感到遗憾，但还是学习了银版照相的课程，并委托他人拍摄和收集照片。
Regretting that "such a wonderful invention" had arrived so late in his lifetime, he still took lessons in daguerreotyping, and both commissioned and collected photographs.
他在1945年的电影《美国大兵乔的故事》中扮演了一个角色，或者说（该角色的）一系列不同美国人格；这部电影基于记者厄尼·派尔在战争末期时所发生的故事而拍摄。
He appers as a character, or a collection of American personalities, in the 1945 movie The Story of GI. Joe, based on the last days of war correspondent Ernie Pyle.
他在1945年的电影《美国大兵乔的故事》中扮演了一个角色，或者说（该角色的）一系列不同美国人格；这部电影基于记者厄尼·派尔在战争末期时所发生的故事而拍摄。
He appers as a character, or a collection of American personalities, in the 1945 movie The Story of GI. Joe, based on the last days of war correspondent Ernie Pyle.
Painlevé是水下拍摄的先驱，他拍了很多关于水生动物世界题材的短片。
Painlevé was a pioneer in underwater film-making, and a lot of his short films focused on the aquatic animal world.
他最好的朋友卢卡斯·桑托斯在为《太阳报》拍摄的一段视频中谈到了他的能力。
His best friend Lucas Santos spoke about his abilities on a video for The Sun.
最近，他想拍摄一张日落的照片，来参加学校摄影比赛。
Recently, he was trying to take a picture of a sunset to enter the school photo competition.
在电影的拍摄过程中，导演也有自己的担忧，因为他不知道靖先生会完成得如何。
While the film was being made, the director had his worries because he didn't know where Mr. Jing could keep it going.
与其他拍摄教师授课的在线课程不同，可汗的视频只有他的声音，还有做板书的数字黑板。
Unlike other online courses that film teachers giving classes, Khan's videos only use his voice and a digital blackboard for writing.
他建议扮演亚历克斯·德·拉杰的马尔科姆·麦克道尔在接下来的拍摄中即兴加入一点舞蹈。
He suggested to Malcolm McDowell, who played Alex de Large, that he add in a little dance spontaneously during the next take.
考虑到要拍摄不同的表情，他们在莫利纳的脸上贴上了可反光的小球，然后拍摄他不同的表情。
To allow for different expressions, Mr Molina had small reflective beads glued to his face and then was filmed making different expressions.
他拍摄的无名十字路口和街道似乎给人一种超脱的感觉。
It seemed to heighten the sense of detachment in his photographs of anonymous intersections and streets.
他以其所拍摄的静态照片和电影能深入刻画士兵人性而声名远扬。
His work shooting still photography and film was celebrated for how it often captured soldiers 'humanity.
这些照片齐聚一堂，不但显示卡蒂埃·布列松的题材广泛，还展现了他拍摄群像的才能。
The juxtaposition of these images shows not just Cartier-Bresson’s range but also his gift for group portraits.
他拍摄的电影至今被大多数僵尸迷看作是打破僵尸电影类型的经典之作，他在1968年拍摄的电影《活死人之夜》掀起电影院播映狂潮。
He created a film which is now seen by most Zombie fans as the classic genre breaking Zombie movie, his 1968 film 'Night of the living dead' took cinemas by storm.
但是LJ并不是在打电话求救，他是按下了他手机上的拍摄按钮。
"But LJ wasn't calling for help, he was pressing the photo button on his cell phone."
但是LJ并不是在打电话求救，他是按下了他手机上的拍摄按钮。
"But LJ wasn't calling for help, he was pressing the photo button on his cell phone."
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