他并不喜欢他年轻时在他家乡很流行的浪漫主义风格的音乐。
He was not a fan of the Romantic style of music that was popular in his homeland during his youth.
随着简约主义和新浪漫主义作为主要的音调风格的兴起，他对音乐的未来更加乐观。
He was more optimistic about the future of music, with the rise of minimalism and neoromanticism as predominantly tonal styles.
像许多高科技的浪漫主义者一样，他心中有着占据了多年愿望：使用互联网与有线电视公司和提供节目的电视网周旋。
Like many tech romantics, he had harbored visions of using the Internet to rout around cable companies and network programmers for years.
屈原是中国文学史上第一个最伟大、最杰出的浪漫主义诗人，后人称他的作品为“楚辞”。
Qu Yuan, a Chinese literary history of the greatest and most distinguished Romantic poet, called him after the work is "Songs of the South."
一个浪漫主义者，他不经常恋爱，一周绝对少于一次。
由于缺乏经验，他有浪漫主义的倾向。
他是位非常棒的浪漫主义学者，他对于文本的评论,在这篇文章中希望引起注意的评论,一如既往地，是错的。
who is a terrific, prominent Romantic scholar with whom one, everything he says about the text that he isolates for attention in this essay is simply, consistently, wrong.
到现在我一直强调的是一个反浪漫主义的弗罗斯特，他像是说着“除了事实没有其他的
So far, I've been stressing a kind of anti-Romantic side of Frost, how he seems to be saying, "Nothing but the facts, please."
济慈(1795- 1821，英国浪漫主义诗人)觉得行走时他是土地的一部分——所以他没有必要成为一个富人来体验崇高(他在游学旅行时没有财力走更远)。
Keats felt with walking he was part of the land - that he didn't have to be a rich person to be able to experience the sublime (he couldn't afford to go further afield on the Grand Tour).
他在内心深处其实是个能够驾驭人类伟大情感的浪漫主义者，他的头脑似乎不断地控制着自己的内心。
Deep down he was a romantic, capable of great human feeling, whose head constantly seemed to remind him to keep a rein on his heart.
是我们把他定位在“民族魂”这个高度后，才更多地注意了他作品的现实和批判的精神，而忽略了任何一个伟大的作家内心深处都具有的浪漫主义情怀。
We put him in the "national soul" of this height, only to pay more attention to his works of the reality and critical spirit, and ignore any great writer has a deep heart romantic feelings.
作为一个前期浪漫主义作家，他运用夸张的手法，来描绘那些历史事件和现实生活。
As an early romanticist, he depicted those events in history and real life in an exaggerate way.
那位学者先介绍了他为什么专门研究英国浪漫主义诗歌，而后又详细论述了约翰·济慈的诗歌风格。
After explaining why he devoted himself especially to English romantic poetry, the scholar discoursed (at great length) on the poetic style of John Keats.
他是个充满智慧的唯美主义者，他的音乐比任何其他作曲人的都更能深刻反映人性中的浪漫主义。
An intellectual as well as an aesthete his music more than any other composer reflects the deep personal nature of romanticism.
戏剧作品中突出的浪漫主义风格就来自德国文学的影响，他的民族文学运动的倡导也受到德国狂飙运动的很大启发。
The obvious romantic style of his dramas came from German literature. His advocacy of the National Literature Movement was also enlightened by German Violent Movement.
即使，他真是一个彻头彻尾的浪漫主义者，当他开始为你的发型一个月没变化皱眉时，你会觉得，做这种男人的妻，挺累人。
Even though he's a totally romantic, when he started for your hairstyle a month without change frown, you feel, do this man's wife, pretty tiring.
他比较倾向于浪漫主义。
有人将其定位于现代主义、存在主义，也有人说他是典型的浪漫主义……海子的“难于归类”，正反映出他诗歌内涵的丰富性。
Someone positions him at modernism, existentialism, and someone says he is the typical romanticism... it is difficult to sort out in Haizi reflects the abundance of his poems.
他的创作不仅体现了浪漫主义风格的特点，更主要是作曲家的创作意识。
His composing not only reflect the characteristics of the romanticism style, but even reflect the composing consciousness of a composer.
他的音乐有着强烈的浪漫主义特征，但也展示了德国音乐传统的秩序感，体现了德国音乐文化传统的基本特点。
His music held not only strong characteristics of Romanticism, but also demonstrate sense of harmony, which is basic feature of German music culture tradition.
他是个无可救药的浪漫主义者和一个可以放声痛哭的文艺复兴式的男人。
He is a hopeless romantic and a Renaissance man for crying out loud.
他的创作将古典主义的形式与浪漫主义的情感融汇在一起，成为19世纪西方音乐的宝贵遗产。
His compose mixed the classicism and romanticism together, became one of western music precious heritage in the 19th century. Mr.
他一生同英美近现代浪漫主义、悲观主义诗人以及美国当代的意象派诗人有着广泛的精神联系；
During his lifetime, he had a broad spiritual connection with modern British and American poets of various schools ranging from romanticism to pessimism and imagism.
他一生同英美近现代浪漫主义、悲观主义诗人以及美国当代的意象派诗人有着广泛的精神联系；
During his lifetime, he had a broad spiritual connection with modern British and American poets of various schools ranging from romanticism to pessimism and imagism.
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