从异质间性视角解析与透视审美价值,有助于把握人类造物、社会生活、审美文化等当代性特质。
An analysis of the aesthetic value from the perspective of heterogeneous alienation is helpful to the mastery of the contemporary nature of human creation, social life and ae.
从异质间性视角解析与透视审美价值,有助于把握人类造物、社会生活、审美文化等当代性特质。
An analysis of the aesthetic value from the perspective of heterogeneous alienation is helpful to the mastery of the contemporary nature of human creation, social life and aesthetic culture.
从异质间性视角解析与透视审美价值,有助于把握人类造物、社会生活、审美文化等当代性特质。
An analysis of the aesthetic value from the perspective of heterogeneous alienation is helpful to the mastery of the contemporary nature of human crea...
按照韦斯曼的推测,住人的地区将会在500年内变回森林。只有那些最顽固的人类造物,比如某些塑料制品,才能保持不变。
By Mr Weisman's reckoning, residential neighbourhoods would return to forest in 500 years and only the most stubborn of human inventions, such as certain plastics, would prove permanent.
维多利亚时代流传着一则箴言:“造物主赋予人类嘴唇以遮掩牙齿”。这暗示了在严格意义上的牙科学诞生之前,口腔的卫生状况往往非常糟糕。
"Nature gave us lips to conceal our teeth," ran one popular Victorian maxim, alluding to the fact that before the birth of proper dentistry, mouths were often in a shocking state of hygiene.
如果人类能调出爱的频率,他们很快就会发现,对于上帝来说,我们的动物王国和他的其他造物一样珍贵和重要。
If humans would tune into the Love frequency, they would find out quickly that we, of the animal kingdom, are just as precious and important to God as any of His other Creations.
当时人们现实生活的支柱、信仰的中心观念,是上帝创造了世界,而且人类是上帝造物的最高等级。
The Enlightenment was giving way to Romanticism. At the center of what people then believed, the tent poles of their reality were that God created the world and that man was the crown of creation.
我们对其他生物,对我们的造物主,也对人类自己,都有责任对动物怜悯和慈悲。
We have a duty to them, to our Creator, and to our own humanity, to show animals mercy and compassion.
文化已经成为了自然选择的一股力量,而它如果被证明是一股重要力量,那么随着人们适应他们自己的创造物带来的压力,人类进化可能会加快。
Culture has become a force of natural selection, and if it should prove to be a major one, then human evolution may be accelerating as people adapt to pressures of their own creation.
神圣的造物主选择成为人类,代替我们承受生活的痛苦和死亡,这样我们的罪恶才能得到宽恕。
The sinless creator chose to become a man and to be our replacement, suffering and dying so our SINS could be forgiven.
在所有的被造物中,只有人类是“照着神的形象”造的。
In all of creation, only human beings, are made "in God's image."
但是这看起来是个好方法来研究最另类的创造物——人类。
But it looks a good way to investigate that most alien creature of all: man.
但二者都是社会的构造物以及他们标志性的地位使人们想起了一系列的人类情感,从爱到恨,钦佩到怀疑。
But both are social constructs, and their iconic status conjures up a spectrum of human feelings, ranging from love to hatred, admiration to suspicion.
虽然我们没有看到罪对所有受造物的影响,可是我们不能逃脱由亚当传给全人类的影响。
Even if we don't look at the effects on all of creation, we still can't escape how this was passed down through Adam's seed to all mankind.
他的做法好像它能够拥有人类、控制人类并且根据他的设计来对人类进行改造。如果要满足这些要求,那我想估计也只有造物主了。
He ACTS as if he owned humanity and were called upon to control and to shape it according to his own designs.
造物主给了人类灵魂,而建筑师用每一面墙壁、每一扇窗户,和每一级台阶来表现建筑的灵魂。
Its maker gives it the soul and every wall, window and stairway to express it.
但是,人类会忘记造物者,以及没想过这个世界像没有科学和发明会像什以样的。 长时间的一个重要发明是一个领域,然而,它不单只是我们没有想到我们今天的生活。
One of the most important inventions of all times was a wheel, however, it is not the only one without we couldn’t imagine our lives today.
人的身体是一颗小行星上的一粒尘埃,这一事实使人类产生自己是一个渺小的造物的幻觉。
The fact that mans body is a speck of dust on a small planet leads to the illusion that humans are a small creation.
你们的造物和地球自己及人类体验是一个监狱的形式。
Your creation and Earth itself along with the human experience is a form of a prison.
甚至那些来自外来造物的王国们也是与它们相关造物的人类织物的一部份。
Even those kingdoms from foreign creations are a part of human fabric from their associated creation.
那么,这些渴望这样做来充盈自己并通过财物或兴奋来这么做的造物者和人类,是做错了什么呢?
So what is wrong with these creators and humans that desire to fill themselves so and do so through possessions or excitement?
上帝之意,人类乃世界上宝贵的造物。
曾经有人类的大师存在,他们懂得你们造物整个灵魂、进化、做梦时间以及非物质多重维度的舞蹈。
Once there were Great Human Masters that understood the entire dance of soul, evolution, dreamtime, and the nonphysical multidimensional dance of your creation.
因为人类是道中的造物者,因此造物者的剧本就落到人类身上,就好像落到道中相关的造物者身上一样。
Humans are creators in the Tao and so the creator script falls upon the humans as associated with the creators in the Tao.
因为人类是道中的造物者,因此造物者的剧本就落到人类身上,就好像落到道中相关的造物者身上一样。
Humans are creators in the Tao and so the creator script falls upon the humans as associated with the creators in the Tao.
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