我们很容易知道人类对死亡的恐惧是少于对快乐的恐惧的。
It is easy to see that people are less afraid of death than they are of happiness.
这种魅力最深刻的哲学背景是爱情克服了人类对死亡的恐惧。
The philosophic background of its charm is that it conquers man' s fear of death.
反与正》表现了年轻的加缪对死亡的最初体认，突出了人类对死亡的恐惧和对荒诞的发现。
Betwixt and Between showed the early experience of death, emphasized the frighten of death and discovery of absurd.
两幅作品都以同样有力的方式向我们传达：人类对死亡的恐惧都源于这样一个事实，即从死亡那一时刻，生命的意义将不复存在。
Both paintings convey in a particularly powerful manner where man's fear of death lies: at the moment of death to be unable to give one's life any further meaning.
两幅作品都以同样有力的方式向我们传达：人类对死亡的恐惧都源于这样一个事实，即从死亡那一时刻，生命的意义将不复存在。
Both paintings convey in a particularly powerful manner where man's fear of death lies: at the moment of death to be unable to give one's life any further meaning.
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