体道精神的自由超拔和了无牵挂，在古代艺术意境当中皆有显现，同时也成就了国人艺术化和审美化的人生。
The nature of Dao theory on "being free from care"not only exists in the artistic mood in ancient China also make Chinese achieve an artistic and aesthetic life.
苏轼艺术化的人生尝试，为现代人谋求自我与所担当的社会角色的和谐，提供了一种生存范式。
His artistic life provides a life model for modern people who seek harmony of self-perfection and social role.
陶渊明的人生，变现实时空为审美时空，使现实人生成为审美艺术化人生的典范。
Tao Yuanming's life is a life of turning the realistic time and space into the aesthetic time and space, and making realistic life model of aesthetic and artistic life.
宗白华的人生观是艺术化的人生观，这种人生观集中表现为宗白华对人生，生活的审美和美化的态度。
Zongbaihua 's outlook on life is artistical, and it epitomizes the Zongbaihua appreciation of the beauty of life, and the attitude in beautifying.
第三，他们处于“艺术化的人生”与“粗鄙化的人生”之间的边缘。
Third, they are between "the art life" and "the vulgar life".
宗白华一生深切地关注着生命的存在状态，提出了艺术化的人生观。
Zong Baihua deeply concerned about the existence of life, putting forward the artistic outlook on life.
“人生的艺术化”是朱光潜美育思想的核心观念。
Life's poeticizing is the core idea of Zhu Guangqian's thought of aesthetic education.
追求艺术化的人生，倡导理想的人生生命状态以及对自然万物的钟爱，成为宗白华美学给予现代人生存启示的源泉所在。
It was the source of enlightening contemporary life to pursue artistic life, advocate the ideal state of life and love nature.
宗白华的一生更是以其沉静空灵的主体人格、超世入世的人生态度、自然化艺术化的生存方式而成为审美人生的范型。
Zong Baihua's life is aesthetic paradigm of life because of quiet and spacious subject personality, attitude towards life, survival mode of naturalization and art.
宗白华的一生更是以其沉静空灵的主体人格、超世入世的人生态度、自然化艺术化的生存方式而成为审美人生的范型。
Zong Baihua's life is aesthetic paradigm of life because of quiet and spacious subject personality, attitude towards life, survival mode of naturalization and art.
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