其中，任伯年人物画艺术特色的分析则是本文论述的中心。
Among these, the analyzation of the artistic characteristics of Ren Bonian's figure painting is the core of this thesis.
对其人物画艺术的个案研究，有助于当代写意人物画的创作。
To study his figure painting style is edifying and helpful for modern freehand brushwork.
中国人物画艺术语言的转化需要一个长期的过程，不是说转化就转化的。
Chinese figure painting into the language arts need a long-term process, not on the transformation of the transformation.
因为这一时期人物画艺术成就，既以感性方式展示出来，同时又以理论形态作了深刻总结。
Accomplishments of the art of figure painting can be realized in one's perception of individual works, and in addition, they can be located in the form of theoretical generalization.
艺术界一向将人物画放在最高位置上。
In art, the highest place has traditionally been given to paintings of people.
也会对当代人物画的艺术创作增加一定的理论基础和指导思想。
Will also increase the artistic creation of contemporary figure painting theoretical foundation and guiding ideology.
从罗宗海近年创作的风景画、人物画和最近欧游的作品，可以品味他水彩艺术演进的轨迹，我们为此高兴！
In recent years, the sea from the Luo creative landscapes, portraits and the recent European Tour's works, you can taste the track of the evolution of his watercolor art and we are so happy!
中国传统的写实人物画有自己独特的传统和艺术特征。
The traditional Chinese realistic figure drawing has its unique traditions and art characteristics.
从而指出，李伯安人物画的艺术精神价值远大于其作品的物质价值，对其艺术精神的研究更具有学术意义。
The second part focuses on the three connotation of the artistic spirit of Li Boan's figure painting and the significant impact on the art world.
本部分首先对都市水墨人物画的情感本源进行了分析，艺术创作离不开情感表达，任何一种艺术表达都是艺术家自身情感的流露。
Firstly, it traces the origin of passion in Urban Ink-Portraits Painting. The art is the reflection of artist inner world and the passionate expression through their works.
四位主要从事人物画的写生和创作的艺术家，都能依据自己掌握的艺术语言，描绘和创作出能够代表台湾地区人们的生活特征和文化特色的人物形象。
Four artists who engage in the painting and creation of portrait, based on their art language, draw the figures that can represent lifestyle characteristics and culture features of Taiwan.
仔细研究，发现傅抱石的人物画有其独特艺术魅力，成就并不亚于山水画。
It seems to us that Fu Baoshi's figure painting lacks originality and is confined to tradition, as compared to his landscape painting.
从古代传统绘画中汲取营养，不断探索现代水墨人物画的艺术语言，丰富人物画的表现力。
Draw nutrition from ancient traditional painting. Explore article language of modern wash and figure painting unceasingly and enrich expression about figure painting.
具有装饰性特征的工笔人物画使绘画的内容和形式紧密结合，体现了独特的艺术个性。
With the decorative features of fine brushwork painting portraits so closely with the content and form, reflecting the unique personality of art.
仔细研究，发现傅抱石的人物画有其独特艺术魅力，成就并不亚于山水画。
A careful study will discover that fu's figure painting enjoys unique artistic glamour and the achievement in figure painting is no inferior to landscape painting.
经过19年创作研究掌握了国画：人物画，山水画，花鸟画作品绘画艺术。
After 19 years of study and master the creation of a painting: portrait, landscape painting, flower painting works of art.
最后，文章总结了任伯年和徐悲鸿人物画的艺术实践留给后人的启示：人物画必须强化对人的研究和表达；
Lastly, the paper summaries the implications that Ren and Xu's practice give us:the study and expression of the artistic creation on figure painting should be reinforced;
本文试图探寻任伯年人物画风格形成的源泉，并分析了其人物画的艺术特色及其风格对画坛的深远影响。
The author explores the source of Ren Bonian's figure painting and analyzes the artistic feature and style of his figure painting and its profound and lasting effect on painting field.
研究傅抱石人物画，便是要发现其中的艺术价值、艺术成就及艺术地位。
Compare with his tremendous achievement of landscape painting, Fu Baoshi's figure painting has not been completely realized.
社会变革带来了艺术创作者的精神面貌和创作风格的焕然一新，改造国画运动直接促进了新国画人物画崛起和繁荣；
Social change so that the spirit of the artist, a new look, transforming painting movement directly contributed to the rise and prosperity of the new Chinese figure painting;
社会变革带来了艺术创作者的精神面貌和创作风格的焕然一新，改造国画运动直接促进了新国画人物画崛起和繁荣；
Social change so that the spirit of the artist, a new look, transforming painting movement directly contributed to the rise and prosperity of the new Chinese figure painting;
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