而人物形象塑造的成功，小说对话可谓功不可没。
The characters in it are molded by the author through vivid description, irony, satire and especially the dialogues in the fiction.
智囊形象在《三国演义》人物形象塑造体系中独具一格。
The portrait of the brain trusters is part of the featuring characterization in Romance of the Three kingdoms.
这是作者对作品思想倾向以及人物形象塑造总体要求的反映。
This is the reflection of the author's thought tendency and the requirement of the image-shaping .
中国古代戏曲中的形神理论，是关于舞台人物形象塑造的指导性理论。
The expression-spirit theory of Chinese ancient opera, is a guiding theory of creating character image on stage.
人物形象塑造的成功与否，是叙事类文学作品创作中最重要的问题之一。
The success that the personage image molds or not, is one of most important questions in the creation of the narrate literary works.
元杂剧三国戏的人物形象塑造中寄寓着元代士人的独特文化心理与人物美学理想。
The characterization of the Three Kingdoms plays in the Yuan poetic drama represents the particular cultural psychology of the Yuan scholars and the aesthetic ideal of dramatic characterization.
电视剧为了使观众更容易与剧中人物沟通，在人物形象塑造方面做了很大的改变。
To make it easier for viewers to communicate with people in the film, TV series has done a lot of changes in shaping of characters.
从电影《周渔的火车》人物形象塑造入手来探索该作品，我们应该能发现它内在的真实性。
We can start to explore the works from how the film "Zhou Yu's Train" shaping the images and then we'd find out what's in it inherently.
悲剧《哈姆雷特》对古希腊悲剧的继承性，体现在结构、情节安排和矛盾冲突、人物形象塑造、艺术手法表现上。
The inheritance of Hamlet to the ancient Greek tragedy was embodied in many aspects-the structure, plot arrangement, conflict, characters and artistic style.
大体而言，“本色”涵盖了包括语言、审美风格、音律、内容、结构、人物形象塑造、舞台表演等戏曲文学组成元素。
Generally speaking, the Natural Color covers the elements of drama literature, including language, aesthetical style, temperament, content, structure, characterization, stage performances, etc.
在对人物形象塑造上，承接明清时代小说中男性形象弱化的特点，塑造了一批类型化的、具有女性阴柔美的男性形象。
In characterization, the men carry the image of the Ming and Qing era weakened the characteristics of a number of types of mold, and has a male image of female beauty of gentleness.
但是，近于工笔式的写作手法，与现实拉开距离的苦难题材，颇有些神化的人物形象塑造，也成为曹文轩创作的缺失之处。
But his way of writing like fine brushwork, hardship themes which are far away from realism, and the mythical figures he establishes also become his defect.
在人物形象塑造上，他主要提出四个观点：一是运用个性化的行动和语言描写来表现人物的精神世界，而不主张用心理描写；
On creating image of figures, he mainly put forward four points. First, express the figure's spirit world with individual action and language description, not with Psychological description.
在对小说文本进行分析的基础上，尝试运用俄国形式主义学派的“陌生化”手法解读桑提亚哥这一人物形象塑造的新颖、奇特之处。
On the basis of the textual analysis of the novel, V-effect of character depiction from Russian formalism is used to explore the novelty and peculiarity of the depiction of Santiago.
如果表演者的声音纹理与面相和手势相符合，就能塑造一个完整又真实的人物形象。
When voice textures fit the performer's physiognomy and gestures, a whole and very realistic persona emerges.
《王子与贫儿》：大多数的孩子是通过《汤姆·索亚》知道马克•吐温的，但是《王子与贫儿》这部作品一样地趣味非凡，塑造了英国历史上让人难忘的人物形象。
"The Prince and the Pauper." Most kids encounter Mark Twain through "Tom Sawyer," but this work is at least as funny and offers unforgettable images of English history.
通过分析戏剧人物话语角色的转换来剖析人物的内在意图，可以深入人物内心，帮助理解人物形象的塑造。
An analysis of the characters discourse role switching in drama will help delve into his inner world, thereby shedding light on the characterization.
该小说中人物截然不同的时间意识塑造了个性鲜明的人物形象，深化了作品的主题。
The markedly different time consciousnesses of the main characters in the novel have shaped the sharply different images and also deepened the theme of the novel.
索福克勒斯和欧里庇得斯创作之不同，主要表现在人物形象的塑造、常用的创作手法、剧情的结构和戏剧精神等方面。
The differences of Sophocles and Euripides' creation mostly lie in the molding of character's image, the used creative tactics, the plot structure and the spirit of the drama, and so on.
他的电影体现个人与秩序、人性与传统冲突的主要手段，是人物形象的塑造。
His film reflects the main means that individual and order, human nature and tradition conflict, it is the moulding of personage's image.
塑造鲜活的音乐人物形象是莫扎特歌剧音乐创作成功所在。
Shaping the image of live music personalities is the success of Mozart's opera the music.
《水浒传》最大的特点和优点，一方面是情节和结构着眼、服务于人物形象的塑造；
The biggest advantage and feature in "The Legend of Watermargin" lies in the plot and structure and the featuring of the characters.
就人物造型来说，化装与服装紧密结合直接塑造剧中的人物形象，在舞台演出当中它们是一个统一的整体，缺一不可。
On the character modelling, puts on makeup with the clothing close union direct mold play's in character image, middle the stage performance they are a unified whole, indispensable.
第二章主要从音乐和戏剧两因素分析作曲家如何对柳儿人物形象进行塑造，和歌唱表演者如何进行二度创作；
The second chapter analyzes how the composer developed the image of Liu and how the actors and singers should re-compose it.
第二章主要从音乐和戏剧两因素分析作曲家如何对柳儿人物形象进行塑造，和歌唱表演者如何进行二度创作；
The second chapter analyzes how the composer developed the image of Liu and how the actors and singers should re-compose it.
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