克里姆特向人们展示了贝多芬第九交响乐的视觉效果，而古斯塔夫·马勒更是为该杰出作品演绎了音乐上的伴奏。
Gustav Mahler provided the musical accompaniment for Klimt's visual representation of Beethoven's ninth symphony.
在最近前往波士顿的旅行中，我饶有兴趣地发现经过科学与数学设计的交响乐大厅在演出中提供了卓越的听觉效果。
During a recent trip to Boston, I was interested to learn that Symphony Hall had been scientifically and mathematically designed to provide outstanding acoustics during performances.
这场演出中，拉特尔有交响乐大厅出色的音响效果做他的后盾。
In this performance, Rattle had the acoustic of the Symphony Hall on his side.
水墨渲涮的过程，在黑白的交响效果中揭示了交响乐般的变调与置换，比起莫扎特来，他更接近于马勒。
In the process of ink wash, he has shown the symphony-liked desafinado and replacement in terms of symphonic effect of black and white. Compared with Mozart, he is much close to Mahler.
并且尽量地删除细节，使交响乐的庞大效果退回到布景似的环境音乐之中。
Then I also delete all unnecessary details so that the immense symphony would return to the status of a background music.
并且尽量地删除细节，使交响乐的庞大效果退回到布景似的环境音乐之中。
Then I also delete all unnecessary details so that the immense symphony would return to the status of a background music.
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