创造性模仿是亚里士多德诗学理论中的核心概念。
Aristotle's whole conception of poetics theory is creationary imitation.
亚里士多德被认为是各种形式思想的始祖，正是他在《诗学》中做出的这一举动，才产生了这种可能性。
Aristotle is considered the ancestor of the varying sorts of thought about form, and it's this move that he makes in Poetics that engenders this possibility.
遗憾或恐惧“，这是很关键的词，亚里士多德在《诗学》中用它，定义悲剧。”
Pity "and" terror, "these become crucial terms, the terms that Aristotle, in his Poetics, used to define tragedy."
亚里士多德的诗学其实，并不是由他本人写成的，而是有他的弟子编纂的。
Aristotle's Poetics we know actually not to have been one of the texts written by Aristotle but rather to be a compendium of lecture notes put together by his students.
亚里士多德在《诗学》中提出了“发现”的概念。
In his Poetics, Aristotle first mentioned the concept of "finding".
亚里士多德在《诗学》一书中提倡“戏剧的统一性”，即事件、事件发生的时间和地点的统一。
Aristotle's poetics advocates the "dramatic unities', the unities of action, place and time".
亚里士多德在他的《诗学》里说过，比喻是天才的标志。
Aristotle once pointed out in his Poetics that metaphor is the mark of genius.
《诗学》比较全面和系统地阐述了亚里士多德的诗学观，指出了诗的作用，解析了它的各个组成部分。
In his' Poetics', Aristotle systematically expresses his views on poetry (tragedy), points out its function, and has successfully explored its composing parts.
亚里士多德在他的(诗学)中对悲剧的特点有详尽的说明。
C. Aristotle, in his Poetics, describes in detail the characteristics of tragedy.
关于隐喻的研究最早始于亚里士多德时期，他在《诗学》中已经给了隐喻一个最原始的定义。
The study of metaphor was originated from Aristotle, who has given metaphor a primitive definition in "Poetics".
关于隐喻的研究最早始于亚里士多德时期，他在《诗学》中已经给了隐喻一个最原始的定义。
The study of metaphor was originated from Aristotle, who has given metaphor a primitive definition in "Poetics".
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