他们的书画美学思想尤其书画理论研究的方法对于当时及后来的中国书画理论研究者有着重大的影响和启示作用。
Their calligraphy and painting esthetics ideas, particularly the theory methods of study, influence and inspire the scholars in this field that time and afterwards.
两先生皆在中西广博深厚的学术背景下,以各自的理论方法去研究中国传统的书画美学,确立了中国书画理论研究的光辉典范。
They established their respective glorious paradigms of study on Chinese Calligraphy and Painting Esthetics, based on the extensive and profound knowledge of the Eastern and Western Culture.
研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。
Studying China's literature and art aesthetics should notice the integration of every artistic category such as poem, music, calligraphy and draw.
本文参考文献:1、中国古典山水画美学侧记,2、三谈破体书法,3、中国书画。
This article References: 1, Chinese classical landscape Sidelights, 2, 3 on nicely, 3, Chinese calligraphy and painting.
中国古代书画家在艺术创作过程中,形成了独特的美学观念和美学体系。
During the course of art creating, ancient scribe and painter of China formed unique aesthetic conception and aesthetic system.
中国书画的美学精神在现代书籍装帧中得到了创造性运用,主要体现在三个方面:注重整体,美在和谐;
The creative application of the aesthetic spirit of Chinese painting and calligraphy in modern book design has been mainly reflected in three aspects:the overall emphasis on the harmony;
传统书画笔墨不仅是一种笔墨技法,它还承载着中国传统以“意”为主、天人合一的美学思想。
Traditional brush-and-ink is a kind of techniques, and it carries the traditional Chinese aestheticism of mood-dominance and harmonious relationship between nature and man.
传统书画笔墨不仅是一种笔墨技法,它还承载着中国传统以“意”为主、天人合一的美学思想。
Traditional brush-and-ink is a kind of techniques, and it carries the traditional Chinese aestheticism of mood-dominance and harmonious relationship between nature and man.
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