胡风的现实主义主张，是以高扬的主观战斗精神向客观现实博击从而达到同客观真实深层次结合为特征的。
Hu Feng's realism is characterized by combating objective reality with high subjective combat spirit which combines with the depth of objective truthfulness.
正是由于这两者的结合，才使得七月派“主观战斗精神”的理论具有了发生的有力根基，并且获得了表现出来的具体形式。
The combination of these two points lays a solid foundation for the theory of the July School realistic writers' "subjective combating spirit" and provides it with concrete expressive forms.
本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
应用推荐