在这幅永载史册的作品中，刘文西以“主题思想的深刻性、人物塑造的生动性和笔墨技巧的开拓性”而确立了自己在中国美术史上的地位。
In this picture forever in the annals of works, Liu West with "profound theme, the vivid characterization and pen and ink techniques pioneering" and established himself in the history of Chinese art.
在中国，传统的笔墨绘画有很大空间，也有单色绘画和多色绘画的空间，也有一切事情的空间，就像纽约一样。
In China, there is room for the traditional brush drawing. There is room for monochrome and polychrome. There is room for everything, as there is in New York.
在与多元文化的交流中，中国现代水墨艺术积极探索形式法则，初步形成了新的笔墨观，城市文明已成为绘画的重要题材。
With the multicultural communication, Forms and laws are becoming more and more popular, and the new "ink and wash" concept has taken shape in modern Chinese ink and wash art.
他一生中有数百件作品，其中《水浒叶子》造型古拙夸张、笔墨奔逸，在中国人物画史上独树一帜。
There are hundreds of works in his lifetime, "Shuihu leaves" modeling delicate exaggeration ink Ben Plaza. China is unique in the history of portraiture.
中国画亦常在笔墨境象的模糊中追求亦此亦彼、非此非彼，超以象外、得其环中的艺术效果。
Chinese ink painting in Yichang, as the habitat in pursuit of fuzzy He also vital, non-Feibi this, as the super-to, the artistic Deqi ring in effect.
经过千百年中国艺术家对笔墨的不懈追求，如今呈现在我们面前的是一套完整的技法和审美标准。
Through China artists unremittingly pursue to pen and ink in lots and lots years, now what presents in front of us is set of complete techniques and the esthetic standard.
我们要从内在精神上正确理解中国传统绘画的笔墨。
We're on the correct understanding of the inner spirit of traditional Chinese ink painting.
本文尝试着对中国传统笔墨是怎样融入到现代社会，在现代呈现什么样的状况进行分析。
What this article attempt to integrate is how the traditional Chinese pen and ink enter the modern society, and what types of it present in the modern age.
由此，能触摸到中国古代先人创造的“笔墨”是值得庆幸的。
Therefore, it is worth celebrating the ability to use "brush and ink" invented by the ancient Chinese.
它是版图画派创始人，把版画、素描和油画渗入了中国画的笔墨韵味。
As the founder of territory painting school, he integrates the lasting appeal of Chinese paintings with territory paintings, sketches and oil paintings.
中国绘画的价值趣味也从绘画性转向了书法性的表达，并建构起以笔墨韵致为中心的理论框架。
The value interests of Chinese paintings are shifted from painterliness to calligraphic quality, and the theoretic framework centered on the aura of ink-brush is established since then.
笔墨是中国山水画艺术造型的主要表现语言，意境是中国山水画审美内涵与艺术感染力的主要内容。
Brush and ink are major languages for modeling in Chinese landscape paintings, and the artistic conception is the main contents of their aesthetic intensions and appeals.
中国传统山水画的构图和笔墨之间存在着密切的联系。
Between the Chinese tradition landscape painting composition and the words has the close relationship.
本文从传统的中国画的“笔墨”、“诗书画印”、以及“空白”、“意境”等几个方面来阐述中国绘画的民族性特征。
From the "pen and ink", "poetry and print", "blankness"and "the mood of a literary work"of the tradition.
传统书画笔墨不仅是一种笔墨技法，它还承载着中国传统以“意”为主、天人合一的美学思想。
Traditional brush-and-ink is a kind of techniques, and it carries the traditional Chinese aestheticism of mood-dominance and harmonious relationship between nature and man.
文化课是艺术院校的弱项，科班出来的毕业生一出校门就被当成艺术家，中国画的笔墨技法是他们手中独一的仗恃。
Cultural studies is the art school's weaknesses, Coban out graduates out of school was as artists of a Chinese ink painting technique is the only Zhangshi their hands.
通过这种对龚贤积墨法具体而微的个案研究，有助于我们更好的理解中国画笔墨语言自身的创造性和演进方式。
The miniatural research of Gong virtuous accumulated ink law is helpful for us to understand the creativity and the evolution way of Chinese traditional painting.
中国画传统的表层内容是历代艺术大师的笔墨技法，深层内容则是历代大师的思想品格所蕴涵的文化精神。
The superficiality in the tradition of Chinese painting refers to the techniques of the masters in every dynasty, while the cultural spirit involved in their ideology is the inner meaning.
诚然“水墨”在中国画史上有着举足轻重的地位，对笔墨的要求也是文人画区分作品格调高下的关键。
Indeed "the water ink" has the pivotal status in the traditional Chinese painting history, to the words request also is the painting ofa scholar discrimination work style high under key.
另外，书法是中国现笔墨语汇程序训练的极好的辅助方式。
Besides, calligraphy is an extremely good assistant way in training of writing brush and ink in traditional Chinese painting.
中国山水画中的本质精神是什么，其实就是运用笔墨来表现画家对大好河山的再现、空间的艺术。
The essence of Chinese landscape painting is what is actually used to show for painting painters and beautiful land of representation, space art.
中国山水画是以笔墨为主要的绘画语言形式，中国书法艺术的支架也是“笔墨”。
Chinese landscape painting is the main form of painting language for the Chinese calligraphy and painting "is" stent.
作品的笔触表现得遒劲转折，充分融合中国文人画传统的笔墨逸趣和德国表现主义式的畅快抒情。
The forceful, veering brushstroke is a seamless integration of the Chinese literati's sedate ink-wash painting and the German expressionist's unbounded intonation.
中国画创作应把握好意境营造、笔墨运用、严格章法三个关键环节。
In the creation of Chinese paintings, some key points should be grasped carefully, which include the artistic mood constructing, brushwork using and the art of arrangement.
其作品既体现中国传统笔墨的神韵，又融合了现代的色彩，构成崭新而和谐的组合，体现了作者独特的风格。
His works reflect a novel and harmonious combination of the poetic charm of traditional Chinese painting and the elements of modern painting, which gives them a distinctive unique style.
作为艺术的两种表现形式，西方现代绘画的空间构成与通过笔墨来表现笔墨意境的中国画同样都有对自身空间的表现形式。
As the two art forms, modern Western painting a room with pen and ink to performance through the mood of Chinese ink painting has the same space on its own form of expression.
笔墨在中国画中占有极其重要的地位。
Pen and ink hold the extremely important status in the traditional Chinese painting.
是将中国优秀的传统笔墨与西方以线为主的结构素描有机结合，为我国人物画开辟另一个新天地。
It was an organic combination of Traditional techniques and Western main line of the structure, opened another future as the Chinese Portraiture.
这些审视需要破除固有的中国画概念，将“笔墨”还给一般意义上的媒材意识；
Such review should make a breakthrough out of inherent concept of Chinese paintings and restore "brush and ink" back to the normal sense of material.
这些审视需要破除固有的中国画概念，将“笔墨”还给一般意义上的媒材意识；
Such review should make a breakthrough out of inherent concept of Chinese paintings and restore "brush and ink" back to the normal sense of material.
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