作为中国虎崇拜、虎神话、虎文化的组成部分和传承载体，化身型虎故事具有丰富的文学、美学、民俗学、民族学等多方面的研究价值。
It serves as a part and a carrier of Chinese tiger worship, tiger myth and tiger culture, so it has research values in many aspect such as literature, esthetics, folklore and ethnology.
研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。
Studying China's literature and art aesthetics should notice the integration of every artistic category such as poem, music, calligraphy and draw.
本文尝试从另外一种角度，即禅宗美学的特质和中国书法艺术的内在理路的相通之处去研究。
This article attempts to understand it from another angle, namely from the intrinsic logic of the special characteristic of the Dhyana esthetics and the Chinese calligraphy art.
并希望这一研究能对深入认识中国古代美学与哲学的关系问题具有一定的价值和意义。
We hope that the research will be certain value and significance in how to treat the relations between Chinese ancient aesthetics and philosophy.
本站提供与中国美学史的研究对象与方法相关的论文服务，详细咨询客服。
This paper traces back to the object and method of the research in aesthetic history in China.
“意境”是中国古代文论和美学研究中的关键性问题。
Yijing"is the crux point, on which the study of chinese ancient literary and aesthetic compositions."
本文在前人学者对其电影研究的基础上，深入分析了张艺谋电影的中国传统美学特征。
Based on summarizing the former researches, this paper analyzes Chinese traditional esthetic features in Zhang Yimou's films.
审美意识是研究中国古代美学的切入点。
A study of aesthetic consciousness is a starting point of ancient Chinese aesthetics.
中国审美人类学研究源于中国美学和中国人类学中对民族民间文学艺术的共同关注。
The study of aesthetic anthropology in China originated from the common concern of Chinese aesthetics and Chinese anthropology with national folk culture and art.
中国学人建构的美学体系和开展的美学研究，不能离开中国古典的丰富资源和经验。
Chinese scholars should not separate their aesthetic system and studies from the rich resources and good experience of the Chinese classics.
他们的书画美学思想尤其书画理论研究的方法对于当时及后来的中国书画理论研究者有着重大的影响和启示作用。
Their calligraphy and painting esthetics ideas, particularly the theory methods of study, influence and inspire the scholars in this field that time and afterwards.
周贻白的《中国剧场史》作为我国剧场研究的奠基之作蕴涵着我国剧场美学的萌芽。
The History of Chinese Ancient Theater, written by Zhou Yibai, lays a foundation in the theater study of China.
20世纪以来，从美学的角度研究道家哲学，是中国美学史的一个基本课题。
Since the 20th century, the study of Taoist philosophy from the perspective of aestheticism has been a focus in the aesthetic studies of China.
为20世纪中国美学史的重写提供宝贵资料，为中国美学学科建立的研究拓展领域。
Provided the precious material for the 20th century China esthetics history and enlarged the Chinese esthetics establishment research development.
一段时期以来，作为当代中国文艺美学研究领域的一个新课题，当代审美文化研究得到了学术界的广泛关注和热烈讨论。
As a new orientation in the field of literature and aesthetic, the contemporary Chinese aesthetic culture has been greatly focused on and heatedly discussed for long.
对中国古典美学中审美活动的研究是本文最初的立意。
The initial conception of this paper is aesthetic activities in Chinese Classical Aesthetics.
以审美文化为研究切入点可以摆脱中国古代美学研究中道器分流的现状。
Through the study of the aesthetic culture, we can get rid off the bifurcation between Dao and Qi in the study of classical aesthetic culture of China.
两先生皆在中西广博深厚的学术背景下，以各自的理论方法去研究中国传统的书画美学，确立了中国书画理论研究的光辉典范。
They established their respective glorious paradigms of study on Chinese Calligraphy and Painting Esthetics, based on the extensive and profound knowledge of the Eastern and Western Culture.
范畴和命题在中国美学史的研究中具有特殊的意义和价值；
The study of category and proposition has special meaning and value in the realm of aesthetic history in China;
他的美学思想已经成为中国美学的宝贵财富，成就其美学思想的研究方法也理应受到人们重视。
His idea of the aesthetics has already become precious material of the Chinese aesthetics., his special way of research which is benefit for the idea of the aesthetics should be - emphasized on.
周贻白的《中国剧场史》作为我国剧场研究的奠基之作蕴涵着我国剧场美学的萌芽。
The History of Chinese Ancient Theater, written by Zhou Yibai, lays a foundation in the theater study of China. And it contains the rudiment of theater aesthetics.
陕北民居建筑装饰艺术是中国传统美学的一个重要组成部分，研究它有助于理解传统文化的艺术内涵。
The paper is divided into seven chapters, in which the author introduced about the geography survey of North Shaanxi, the form of architectural ornament art.
他提出的“传神”论在中国绘画美学史上具有重要意义，对今天研究中国人物画的创作仍有积极意义。
The discuss of other artists on the relations of form and verve for our figure painting to explore necessary supplementary, theory and practice have been perfect.
本文将林语堂置于二十世纪中国现代美学的情境中，主要从知识社会学、价值论、本体论的角度对他的“生活艺术论”进行深入研究。
Placing Lin Yutang in the 20th century contemporary Chinese aesthetics, the dissertation probes his "Art of Living" from the viewpoints of sociology of knowledge, theory of value and the ontology.
希望本研究能为中国古典诗歌英译的美学思考提供一些启发。
It is hoped that this thesis can provide a new perspective to the translation of classical Chinese poetry and broaden the scope of its criticism.
希望本研究能为中国古典诗歌英译的美学思考提供一些启发。
It is hoped that this thesis can provide a new perspective to the translation of classical Chinese poetry and broaden the scope of its criticism.
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