《现代》杂志与1930年代中国现代主义文学的兴起有着密切的关系。
Modern Magazine and the rise of Chinese modernism literature of 1930 times have close relations.
同时，他作品中对文明社会的反思和焦虑又延续了中国现代主义文学的传统。
Meanwhile, the introspection and anxiousness of the civilized society in his works are also employed and made the modernism tradition continue.
中国现代主义文学具有一种“世纪末”情结，具体表现为颓废情绪、孤独意识与绝望思想。
China 's Modernist literature have a complex of end of the century. The complex exactly manifests decadent moody, lonely consciousness and despairingly thought.
绪论部分概述现代主义文学思潮整个20世纪在中国传播的基本情况及其特征。
The introduction summarizes the basic situation and character of the spread of the modernism literature trend in China in the 20th century.
现代主义已经成为中国新文学的一个组成部分。
作为中国现代文学史上第一个现代主义小说流派，新感觉派在新时期引起了研究者的兴趣。
As the first modernism novel school in the history of the modern Chinese Literature, the New Sense school has arose great interests of the scholars in New Time.
就它与西方现代主义文学的差异而言，中国现代派文学无疑提供了一种现代主义的新形式。
As far as the difference between Western Modernism, Chinese Modernism undoubted has provided us with a new shape of Modernism.
小说在叙事文本方面做了大胆探索，它解决了中国当代文学长期困扰的不能面对的难题：如何在描写中国本土生活现实时，小说可能具有现代主义或后现代性的特质。
In terms of its narration, the novel explores to solve a long-existing dilemma in Chinese contemporary literature: How can the writing of the real life also reflect modernism or postmodernism?
后现代主义对中国新时期的文学造成了很大的影响。
This paper considers that postmodernism has a great influence on Chinese literature in the New era.
现代主义进入中国文学由中国文化的独特接受机制进行了集体无意识的改造，逐渐形成非主流性、不稳定性、不完整性等特点。
When modernism entered the chinese literature, it received the collective unconscious reform made by the unique acceptance mechanism of Chinese culture.
中国现代文学中有很多后现代主义文学，有些文学具有后现代主义的因素和某些特征，所以，从后现代主义的角度来研究中国现代文学具有本体性。
This paper focuses on analyzing the causes that lead to the development of contemporary Chinese literature from the angle of philosophy of language, ie.
中国现代文学中有很多后现代主义文学，有些文学具有后现代主义的因素和某些特征，所以，从后现代主义的角度来研究中国现代文学具有本体性。
This paper focuses on analyzing the causes that lead to the development of contemporary Chinese literature from the angle of philosophy of language, ie.
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