本文在第一章首先介绍了有关中国古诗英译可译与不可译的争论。
In the first chapter, the paper introduces the argument whether classical Chinese poetry is translatable.
深刻领悟原诗的艺术精髓，同时充分发挥译者的主体性地位是中国古诗英译审美再现的关键所在。
Therefore, the key to the aesthetic reproduction is that translators should comprehend the essence of original poems deeply and bring the subjectivity into full play.
本文运用认知语言学的一些基本概念和理论，特别是关联理论对中国古诗意境的英译进行了研究。
In this thesis, some basic concepts of cognitive linguistics and one of its best-known theories — relevance theory are applied to analyze the translation of imagery in classical Chinese verses.
本论文旨在系统梳理并研究阿瑟·韦利中国古诗的英译。
Therefore, this thesis attempts to make a systematic research on Waley's translation of classical Chinese poetry.
本文旨在从关联理论的角度探讨中国古诗意象的英译。
This paper seeks to account for the translation of image in classical Chinese poetry from a relevance perspective.
本文旨在从关联理论的角度探讨中国古诗意象的英译。
This paper seeks to account for the translation of image in classical Chinese poetry from a relevance perspective.
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