中国古代文论博大精深，内容浩繁。
China ancient times the article discussed broadly and profoundly, the content was vast.
“诗性”是中国古代文论的一个特征。
Poetic nature is one of features of the ancient Chinese literary articles.
“教化”是中国古代文论的重要范畴。
Jiaohua "is an important category in Chinese ancient literary theory."
他在中国古代文论方面有着较大的贡献。
He made a distinguished contribution in ancient Chinese literary theory.
中国古代文论研究存在“西方文化中心论”的倾向。
There is a tendency of "West centered culture" in the study of ancient Chinese literary theory.
中国古代文论是生命性文论，是一种整体有机结构观。
Ancient Chinese literary theory is living, and its structure is organic.
“意境”是中国古代文论和美学研究中的关键性问题。
Yijing"is the crux point, on which the study of chinese ancient literary and aesthetic compositions."
所谓中国古代文论，指的是19世纪以前的中国文论。
So-called China ancient times article theory, what refers to was before the 19th century's Chinese article theory.
中国古代意象论是中国古代文论和美学理论的基本范畴。
The ancient Chinese "imagery" is a basic category in ancient Chinese critical theory and aesthetics.
“中国古代文论的现代转换”问题一直是文论界关注的话题。
Issues on modern transition of China ancient theory of literature have always been the studying focus of theory of literature academic field.
境、境界、意境是中国古代文论中的重要范畴，历来探讨甚多。
The boundary, the boundary, the ideal condition were China ancient times in Wen Lun important category, always discusses very many.
中国古代文论现代转换的视角应该建立在接受与过滤的基础上。
Modern transformation of ancient China perspective should be established on the basis of the acceptance and the filter.
当前，中国古代文论正在进行现代转换，而且大有举步维艰之势。
At present, Chinas ancient literary theory is under modern transformation with hardship in moving forward.
诗学与书学的互通，是中国古代文论中一种值得注意和研究的现象。
The phenomenon of mutual communication between poetics and calligraphy is worthy of research in Chinese ancient literary theory.
从这些方面，亦可以看出中国古代文论与西方现代文论在价值观念上的重要差异。
This shows a very important difference between ancient Chinese literary criticism and modern Western literary criticism.
在中国古代文论中并没出现过“人格”一词，但与此相关的“格”的概念却早已有之。
While it is true that "personality" did find its place in ancient Chinese literary critics, the relating concept of "-ality" truly existed beforehand.
似乎很多问题都可以归结到如何在现代文化语境下研究中国古代文论这样一个基本命题。
It seems that many problems can be reduced to this basic proposition as to how to research ancient Chinese literary theory under the contemporary cultural context.
中国古代文论与西方现代文论在语言、意义观念上既存在着相似之处，又有明显的不同。
There are difference and obvious similarity between Chinese ancient literature theories and Western modern ones on the Sense of Language and Significance.
“隐秀”论丰富了中国古代文论研究，也对中国当代文论建设有积极的实践和理论意义。
The research of "Yin Xiu" enriches the ancient Chinese literature, and also plays a positive role in the construction of the contemporary literature.
在中国古代文论中，“狂”常见于作家气质、作品风格、审美品鉴以及创作过程等诸多方面。
In Chinese Classical Literary theory, "Kuang" is constantly appeared in the comments on writer's temperament, work's style, work's aesthetics, and producing praess, etc.
流行的观念认为中国古代文论重抒情重表现，似乎不讲“摹仿”，摹仿说仿佛只是西方的专利。
It is a prevailing idea that the classical Chinese poetics emphasized only lyricism and representation while neglecting mimesis; mimesis seems to be the patent owned by the Western.
中国古代文论在大时代的变迁下并非是整体毁灭，而是依照其特有的方式参与和渗透到现当代文论中来。
Chinese ancient literary theory hasn't been destroyed in the great era's vicissitude, but participated in and penetrated in the Chinese modern literary theory.
“气”是中国文化中一个重要的概念，具有深刻的哲学和美学含义，在中国古代文论中占据非常重要的地位。
"Qi" is an important concept in Chinese culture, which contains profound philosophical and aesthetic implications and has very important position in Chinese ancient theory of literature and arts.
中国文艺理论界受西方文艺理论影响较深，习惯于用西方的理论分析文学问题，往往忽视了中国古代文论的意义和价值。
China Literary Theory sector affected by the Western Literary Theory deeper, are accustomed to Western theories of literature, often overlooked the significance of Ancient China and values.
基于中国文化的整体有机结构，中国古代文论也以这种整体把握的方式去审视文学，建构成一套富有诗性特征的思维方式。
Based on the entire organic structure of Chinese culture, the ancient Chinese literary theory grasp the literature also with this kind of thought, so it is full of poetic characteristics.
中国古代文论，虽然并未在哲学层面对“惊奇”有系统的研究，但在文学的创作和评论中，“惊奇”是一个重要的审美标准。
Although it has not been systematically considered in the philosophic level of ancient Chinese literary theory, it still came to be a critical criterion in literary writings and comments.
中国古代文论以论说之体而具诗赋之性，其批评文体的文学化、语言风格的美文化和理论形态的艺术化，共同铸成文论之“体”的诗性特质。
The ancient Chinese literature theory is not rational but poetic, because it's text is literary, style is esthetic and form is artistic.
从对文与气的研究可知，“文气论”是中国古代独异于西方文论的一个重要理论。
We can know by analyzing the theory of culture and gas that it is an important theory that only differs from the west literary theory in ancient China.
本文论述了中国古代老学史上对《老子》哲学思想解释的三次重要突破。
This paper recounts the three important breakthroughs in the interpretation of the philosophical thought of Lao Zi in the history of ancient Chinese Laoism.
作为中国古典文论的特殊样态，中国古代形式主义文论与西方20世纪形式主义文论有诸多相似之处。
As a special mode of Chinese classical critical theory, ancient Chinese formalist critical theory shares a number of similarities with 20th century Western formalist critical theory.
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