中国传统山水画的构图和笔墨之间存在着密切的联系。
Between the Chinese tradition landscape painting composition and the words has the close relationship.
通过对西方风景油画与中国传统山水画的比较研究，旨在研究、探索中国风景油画创作的民族化问题。
Through the comparative study of the two, the purpose of this paper is to explore the problem of nationalization of Chinese traditional landscape painting.
西方风景油画与中国传统山水画是在两种不同文化意识、两种不同审美理念的造就下形成的两种不同风格表现、不同视觉感受的绘画形式。
The Western landscape oil-painting and Chinese traditional landscape painting are two quite distinct paintings of style and visual effect under different cultural ideology aesthetic concept.
可以说，正是中国传统道论，赋予了山水画的内在精神。
To some extent, the traditional Chinese Taoist principles have infused the innate spirit into Chinese Landscape painting.
而形成诗性追求的深层原因，主要有三方面，即中国传统思想的影响，中国山水画的影响以及沈从文的影响。
The underlying causes of poetic pursuit are the impact of traditional Chinese thought, the impact of Chinese landscape painting, the impact of Shen Congwen.
而形成诗性追求的深层原因，主要有三方面，即中国传统思想的影响，中国山水画的影响以及沈从文的影响。
The underlying causes of poetic pursuit are the impact of traditional Chinese thought, the impact of Chinese landscape painting, the impact of Shen Congwen.
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