实用主义美学观与翻译研究。 应注重审美经验与日常生活经验的联系；
Its aesthetic view enlightens the translator on the attention to the relation between aesthetic experience and everyday experience.
消费社会促生了以“物质审美化与审美物质化”为核心的日常生活美学。
The consuming society favors the living aesthetics whose core is "material aestheticized and aesthetics materialized".
第一章以《消费文化与后现代主义》和《重构美学》为着眼点，梳理了日常生活审美化的理论渊源。
The first chapter of "consumer culture and post-modernist" and "aesthetic Reconstruction" focus, combing the daily life of aesthetic theory of origins.
灵感与才华的碰撞，品味艺术魅力和生活美学。
The collision of inspiration and talent, tasting the charm of art and life aesthetics.
艺术美与生活美的关系是美学史上的千古之谜，也是文艺创作和鉴赏实践中绕不开的难题。
The relationship between the artistic beauty and the life beauty is a myth and a difficult problem for artistic creation and appreciation since the ancient times.
总之而之，文章从设计的角度出发，将传统漆器与现实生产、生活有机的结合在一起，并在其中融入了美学的观点。
In a word, regarding the point view of design, this article combines traditional lacquer ware and production and live hood together organically with aesthetic perspectives.
人与环境的和谐、生产与消费的适度、劳动与休闲的节奏，是我们创建美的生活必须把握的美学、哲学尺度。
It is necessary for us to follow the aesthetic and philosophical standard-harmony between man and environment, moderate production and consumption, and the rhythm of work and leisure.
在日益繁忙的生活里，家是一切的中心，生活美学也就相对的成为一位成功人士，对家的追求与品味。
Home is the center of all in such a busy life where the aesthetics of living becomes the taste and pursuit for successful man everywhere.
因此，电视节目制作就必须要坚持充分展示生活真实美与意象物化美的美学原则。
Also, TV program can be said to be the rebirth of some filtered image, so TV programming should stick to the aesthetic principle to fully demonstrate the beauty of true life and imago.
因此可以说艺术与现实的关系是广泛的和动态的，并且艺术必须参与现实生活才能实现自身的美学价值。
Therefore may say artistic and the reality relations are widespread and dynamic, and art must participate in the real life being able to realize own esthetics value.
作品就好比一系列叙事的单件，它们都是我将中国东方美学与对于当代生活表达的融合。
The objects are a series of narrative pieces that is a fusion of my Chinese aesthetic with an expressiveness of contemporary life experience.
在文化消费时代，曾被视为经典与崇高的美学已鲜有人问津，美学失去了以往至高无上的神圣意味，转而融入生活。
In cultural consumption era, aesthetics, which once considered classics and lofty, has already rarely been inquired. It has lost its once lofty and sacred meaning, but penetrated into people 's life.
反思美学与当下生活之关系，重塑美学之现世关怀。
Rethink the relation between aesthetics and the present life which aesthetics should have paid serious attention to.
空间上注重对传统文化的尊重与提炼，厚重的色彩与大气的格局倾述着稳重与内敛，使之成为一座具有东方古典美学的生活乐园。
The space attaches attention to traditional cultures, the dense color and magnificent pattern create a firm and self-restrained air, and all of these make a living space full of oriental aesthesis.
川端康成如此热衷于写死亡的主题，是与他的生活经历、人生观、美学观以及他生活的时代分不开的。
Kawabata Yasunari 's keenness on writing the death theme was not able to separate him from his experience of life, outlook of life, aesthetic standards and his age as well.
为了达到“一切艺术的统一”，风格派的美学准则致力于把我们的外在环境与生活改造为艺术，亦即“总体艺术作品”。这对今天的设计教育仍然具有启发意义。
According to the aesthetic of De Stijl, the unity of all the arts will, in a word, transform our architecture and interior surroundings into the art, called 'Gesamtkunstwerk'.
为了达到“一切艺术的统一”，风格派的美学准则致力于把我们的外在环境与生活改造为艺术，亦即“总体艺术作品”。这对今天的设计教育仍然具有启发意义。
According to the aesthetic of De Stijl, the unity of all the arts will, in a word, transform our architecture and interior surroundings into the art, called 'Gesamtkunstwerk'.
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