主张以寂寞真淳之心写忧愤清刚之情，在风格上寻找天然风韵与万古英雄之气的统一，似乎在摆脱以“风骨”为特色的格调论，返回到对诗文豪气的推崇。
He looked for combining between natural style and forever hero characters which seemed to escape from the traditional style-fenggu, returned to adoring on hero characters.
主张以寂寞真淳之心写忧愤清刚之情，在风格上寻找天然风韵与万古英雄之气的统一，似乎在摆脱以“风骨”为特色的格调论，返回到对诗文豪气的推崇。
He looked for combining between natural style and forever hero characters which seemed to escape from the traditional style-fenggu, returned to adoring on hero characters.
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