But Scofield's nasty angular guitar work, the band's slinky rhythms and Medeski's haunting Hammond B3 and Wurlitzer keyboards push the group into more experimental territory.
"In the heyday of cinema, in the 20s and 30s, every large cinema would have a theatre organ either a Wurlitzer or probably more commonly a Compton, which was a British firm, " added Mr Latimer.