Hollywood is terrified that if it drops or loses the case, it could end up with a family of mutated films--either porno versions of Snow White or a Driving Miss Daisy with license plate frames from Crazy Bill's Used Car Lot.

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Bud finally reaches Los Angeles and Daisy, and a white hotel room to which the two repair, both dressed in bunny brown.

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Most memorably, though, it's a movie of minimalist moments (Molly's tiniest gestures speak volumes) and lovely, almost holy tableaux -- the three dark-skinned sprites running through the woods in their white shifts, Molly reaching out with an instinctive gesture to protect little Daisy from disaster.

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