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Having given our praise we make a quick stop at Maastricht's ceramic museum, where the brilliant World Press photo exhibition is in residence.
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The exhibition ends where many of the spy's adventures began: at the bar with a martini -- shaken, not stirred, obviously -- in classic Bond fashion.
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When she's planning an exhibition, Ms. Feldman said her library is where she starts her research.
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When the exhibition closed the clock was reassembled in Newport's John Frost Square where it became a visitor attraction.
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Mary Gee's colourful creations form part of the Will and Testament exhibition in London, where the age of the artist ranges from 72 to 95.
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An impressive feature of the exhibition is its theater-pod, where visitors are immersed in the sound of Churchill's voice, which accompanies the verse-form text as it appeared in his copy and documentary photographs on screens to the left and right.
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This is the exhibition's point of greatest concentration, a fascinating sort of before and after, where the befores are seat-of-the-pants, coarsely done as if in the den or the dark, and the afters are refined appropriation, executed in ateliers of bright light and even brighter technique labels like Yohji Yamamoto, Alexander McQueen, Burberry and Balmain.
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The costumes are remarkable, but at the end of the day Bond is a man of action -- which is why the exhibition's grand finale culminates in the Ice Palace from "Die Another Day, " where visitors are surrounded with footage of 007's many chase scenes in the snow.
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